TY  - BOOK
AU  - Renga,Dana
TI  - Unfinished business: screening the Italian Mafia in the new millennium 
T2  - Toronto Italian studies
SN  - 9781442668317
AV  - PN1995.9.M23 R454 2013eb
U1  - 791.43/6556 23
PY  - 2013///]
CY  - Toronto [Ontario]
PB  - University of Toronto Press
KW  - Gangster films
KW  - Italy
KW  - History and criticism
KW  - Mafia in motion pictures
KW  - Psychic trauma in motion pictures
KW  - Motion pictures and women
KW  - Films de gangsters
KW  - Italie
KW  - Histoire et critique
KW  - Mafia au cinéma
KW  - Traumatisme psychique au cinéma
KW  - Cinéma et femmes
KW  - PERFORMING ARTS
KW  - Reference
KW  - bisacsh
KW  - Film & Video
KW  - History & Criticism
KW  - fast
KW  - Mafia
KW  - Motiv
KW  - gnd
KW  - Film
KW  - Italien
KW  - Electronic books
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references (pages 223-243) and index; Introduction: Trauma, gender, and recent Italian Mafia cinema -- Oedipal conflicts in Marco Tullio Giordana's I cento passi -- Honour, shame and vendetta: Pasquale Scimeca's Placido Rizzotto -- Mafia women in a man's world: Roberta Torre's Angela -- The Mafia noir: Paolo Sorrentino's Le conseguenze dell'amore -- Men of honour, man of glass: Stefano Incerti's L'uomo di vetro -- The female mob boss: Edoardo Winspeare's Galantuomini -- Melancholia and the mob weepie: Davide Barletti and Lorenzo Conte's Fine pena mai: Paradiso perduto -- Mourining disavowed: Matteo Garrone's Gomorra -- Recasting Rita Atria in Marco Amenta's La siciliana ribelle -- Trauma postponed: Claudio Cupellini's Una vita tranquilla -- Epilogue: Why must Caesar die?
N2  - "Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga examines these works through the lens of gender and trauma theory to show how the films engage with the process of mourning and healing mafia-related trauma in Italy; Unfinished Business argues that trauma that has yet to be worked through on the national level is displaced onto the characters in the films under consideration. In a mafia context, female characters are sacrificed and non-normative sexual identities are suppressed in order to solidify traditional modes of viewer identification and to assure narrative closure, all so that the image of the nation is left unblemished."--Pub. desc
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=660256
ER  -