TY  - BOOK
AU  - M'Baye,Babacar
AU  - Hall,Alexander Charles Oliver
TI  - Crossing traditions: American popular music in local and global contexts 
SN  - 9780810888289
AV  - ML3477 .C78 2013eb
U1  - 781.640973 23
PY  - 2013///
CY  - Lanham
PB  - The Scarecrow Press, Inc.
KW  - Popular music
KW  - United States
KW  - History and criticism
KW  - Music and globalization
KW  - Musique populaire
KW  - États-Unis
KW  - Histoire et critique
KW  - Musique et mondialisation
KW  - MUSIC
KW  - Genres & Styles
KW  - Pop Vocal
KW  - bisacsh
KW  - fast
KW  - Electronic books
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references and index; Part 1; American popular music in local contexts; 1; Blue Maxwell : race, space, and the battle for the Chicago blues; John Robert Terry; 2; The camouflaged celebration of irregular romance in early rock 'n' roll : "robbin the cradle" in the '50s, '60s, '70s, and '80s; Paul L. Gaston; 3; Resistance stance against commodification : bad religion and the punk rock protest music they make; Sarah L. DeLury; 4; Who "owns" rap? : a justification for white Christian rap; Randi Pahlau; 5; "A horrible force called music" : Frank Zappa's Joe's garage as critical dystopia; Alexander Charles Oliver Hall --; Part 2; American popular music in global contexts; 6; In search of Mahalia Jackson and Aminata Fall : a comparative study of Senegalese and African American blues; Babacar M'Baye; 7; Recolonizing the blues : the paradox of the British invasion of American popular music; Andrea Caroso; 8; Samples of the past : performative nostalgia, illicit sounds, and cultural transformation in Latin house music; Susanna Loza; 9; Bhangra-Beat and Hip-hop : hyphenated musical cultures, hybridized music; Melissa Ursula Dawn Goldsmith and Anthony J. Fonseca
N2  - In Crossing Traditions: American Popular Music in Local and Global Contexts, a wide range of scholarly contributions on the local and global significance of American popular music examines the connections between selected American blues, rock and roll, and hip-hop music and their equivalents from Senegal, Nigeria, England, India, and Mexico. Contributors show how American popular music promotes local and global awareness of such key issues as economic inequality and social marginalization while inspiring cross-cultural and interethnic influences among regional and transnational communities.--Publisher's website
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=609511
ER  -