TY  - BOOK
AU  - Ford,Phil
TI  - Dig: sound and music in hip culture 
SN  - 9780199939923
AV  - ML3470 .F68 2013eb
U1  - 781.64 23
PY  - 2013///
CY  - New York
PB  - Oxford University Press
KW  - Popular music
KW  - History and criticism
KW  - Music
KW  - Social aspects
KW  - Musique populaire
KW  - Histoire et critique
KW  - Musique
KW  - Aspect social
KW  - MUSIC
KW  - Genres & Styles
KW  - Pop Vocal
KW  - bisacsh
KW  - fast
KW  - Electronic books
KW  - Criticism, interpretation, etc
N1  - Includes bibliographical references and index; Dig (an introduction) -- Koan (what is hip?) -- What is hip? -- The Suzuki rhythm boys -- The devil's staircase -- The black spot -- Somewhere/nowhere -- Precambrian -- Game ideology -- Smart goes crazy -- Irony -- Miles and Monk -- Somewhere/nowhere -- Sound become holy (the Beats) -- Sound become holy -- The sadness of it all -- Digging what they dig -- Astounding and prophetic -- Stenciled off the real -- Hip sensibility in an age of mass counterculture -- Right on, Mr. Horowitz -- The square -- Asymmetrical consciousness -- Elitism -- Mass culture critique -- The decline of midcentury modernism and the birth of postmodernism -- Sound museum -- Mailer's sound -- "The sound is the thing, man" -- Abstraction -- Whiteness -- Mailer's sound -- Enantiodromia -- "Let's say that we're new, every minute" (John Benson Brooks) -- Off-minor -- Music of the isms -- Djology -- Cipher -- Magical hermeneutics -- Technologies of experience -- Practice
N2  - 'Dig' argues that in hip culture it is sound itself, and the faculty of hearing, that is the privileged part of the sensory experience. Through a string of lucid and illuminating examples author Phil Ford shows why and how music became a central facet of hipness and the counterculture
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=602892
ER  -