TY - BOOK AU - Halliday,Sam TI - Sonic modernity: representing sound in literature, culture and the arts T2 - Edinburgh Critical Studies in Modernist Culture SN - 9780748632565 AV - PN56.T37 .H384 2013 U1 - 809.933578 PY - 2013///] CY - Edinburgh PB - Edinburgh University Press KW - Sound KW - Social aspects KW - Sound in literature KW - Sound in motion pictures KW - Sound in art KW - Modernism (Literature) KW - Modernism (Art) KW - Cinéma KW - Son KW - Modernisme (Littérature) KW - Modernisme (Art) KW - POLITICAL SCIENCE KW - Public Policy KW - Cultural Policy KW - bisacsh KW - SOCIAL SCIENCE KW - Anthropology KW - Cultural KW - Popular Culture KW - LITERARY CRITICISM KW - General KW - fast KW - Literatur KW - gnd KW - Kunst KW - Film KW - Moderne KW - Klang KW - Motiv KW - Musikwahrnehmung KW - Electronic books N1 - Includes bibliographical references and index; Introduction : the sonic cultures of modernity -- Theorising sound and hearing -- Sound and social life -- Seeing sound -- Modernising music -- The art of listening N2 - Reveals the many roles and forms of sound in modernism Drawing on a wealth of texts and thinkers, the book shows the distinctive nature of sonic cultures in modernity. Arguing that these cultures are not reducible to sound alone, the book further shows that these encompass representations of sound in 'other' media: especially literature; but also, cinema and painting. Figures discussed include canonical writers such as Joyce, Richardson, and Woolf; relatively neglected writers such as Henry Roth and Bryher; and a whole host of musicians, artists, and other commentators, including Wagner, Schoenberg, Kandinsky, Adorno, and Benjamin. Conceptually as well as topically diverse, the book engages issues such as city noise and 'foreign' accents, representations of sound in 'silent' cinema, the relationship of music to language, and the effects of technology on sonic production and reception UR - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=573004 ER -