TY - BOOK AU - Brown,J.Dillon TI - Migrant modernism: postwar London and the West Indian novel SN - 9780813933955 AV - PR9214 .B76 2013eb U1 - 813.009/9729 23 PY - 2013/// CY - Charlottesville PB - University of Virginia Press KW - West Indian fiction (English) KW - History and criticism KW - Caribbean fiction KW - Postcolonialism in literature KW - Modernism (Literature) KW - England KW - London KW - Roman antillais (anglais) KW - Histoire et critique KW - Roman antillais KW - Postcolonialisme dans la littérature KW - Modernisme (Littérature) KW - Angleterre KW - Londres KW - LITERARY CRITICISM KW - American KW - General KW - bisacsh KW - European KW - English, Irish, Scottish, Welsh KW - fast KW - Literature KW - London (England) KW - In literature KW - Electronic books KW - Criticism, interpretation, etc N1 - Includes bibliographical references and index; At the scene of the time : postwar London -- "Child of ferment" : Edgar Mittelholzer's contrary tradition -- Engaging the reader : the difficulties of George Lamming -- A commoner cosmopolitanism : Sam Selvon's literary forms -- The lyrical enchantments of Roger Mais -- Coda : Kamau Brathwaite, Wilson Harris, and V.S. Naipaul's Caribbean voice N2 - The author examines the intersection between British literary modernism and the foundational West Indian novels that emerged in London after World War II. By emphasizing the location in which anglophone Caribbean writers such as George Lamming, V.S. Naipaul, and Samuel Selvon produced and published their work, the author reveals a dynamic convergence between modernism and postcolonial literature that has often been ignored. Modernist techniques not only provided a way for these writers to mark their difference from the aggressively English, literalist aesthetic that dominated postwar literature in London but also served as a self-critical medium through which to treat themes of nationalism, cultural inheritance, and identity UR - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=547682 ER -