TY - BOOK AU - Vaughan,Hunter TI - Where film meets philosophy: Godard, Resnais, and experiments in cinematic thinking T2 - Film and culture SN - 9780231530828 AV - PN1995 .V375 2013eb U1 - 791.4301 23 PY - 2013///] CY - New York PB - Columbia University Press KW - Godard, Jean-Luc, KW - Resnais, Alain, KW - Motion pictures KW - Philosophy KW - PERFORMING ARTS KW - Film & Video KW - History & Criticism KW - bisacsh KW - fast KW - Electronic books KW - Criticism, interpretation, etc N1 - Includes bibliographical references (pages 229-238) and index; Introduction: where film meets philosophy -- Phenomenology and the viewing subject -- Film connotation and the signified subject -- Sound, image, and the order of meaning -- Alain Resnais and the code of subjectivity -- Jean-Luc Godard and the code of objectivity -- Conclusion: where film and philosophy may lead N2 - Closely reading the films of Jean-Luc Godard and Alain Resnais, Hunter Vaughan establishes a connection between phenomenology and image-philosophy to analyze the moving image and its challenge to conventional modes of thought. Striving to establish a clear foundation for the recent field of inquiry called?film-philosophy," he devises a systematic theory of film's philosophical function and its deconstruction of classic oppositional concepts, such as subject and object, real and imaginary, and interior and exterior. After merging Maurice Merleau-Ponty's theory of subject-object rel UR - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=547485 ER -