TY  - BOOK
AU  - Kinna,Ruth
AU  - Whiteley,Gillian
TI  - Cultures of violence: visual arts and political violence 
T2  - Interventions
SN  - 9780429460357
AV  - N72.P6 C85 2020
U1  - 701/.03 23
PY  - 2020///
CY  - Abingdon, Oxon, New York, NY
PB  - Routledge
KW  - Art
KW  - Political aspects
KW  - Art and social action
KW  - Political violence
KW  - Aspect politique
KW  - Art et action sociale
KW  - Violence politique
KW  - political art
KW  - aat
KW  - terrorism
KW  - HISTORY
KW  - General
KW  - bisacsh
KW  - POLITICAL SCIENCE
KW  - fast
KW  - Crime and race
KW  - Discrimination in criminal justice administration
KW  - Race discrimination
KW  - Racism
KW  - Violence
KW  - Social aspects
KW  - Apartheid
KW  - gnd
KW  - Rassendiskriminierung
KW  - Lynchjustiz
KW  - South Africa
KW  - Southern States
KW  - USA
KW  - Südstaaten
KW  - Electronic books
KW  - History
N1  - "Routledge Focus"--Taken from front cover; Includes bibliographical references and index; Introduction : art, culture and violence / Ruth Kinna and Gillian Whiteley -- From Watts to Wall Street : a situationist analysis of political violence / Martin Lang -- Protest art and public space : Oleg Kulik and the strategies of Moscow Actionism / Marina Maximova -- Project sigma : the temporality of activism / Vlad Morariu and Jaakko Karhunen -- Challenging state-led political violence with art-activism : focus on borders / Amy Corcoran -- Power v. violence : how can contemporary art create a 'space of appearance' and generate social change? / Jessica Holtaway; Legal Deposit; Only available on premises controlled by the deposit library and to one user at any one time; The Legal Deposit Libraries (Non-Print Works) Regulations (UK); Electronic reproduction; [Place of publication not identified]; HathiTrust Digital Library; 2010
N2  - "Investigating art practitioners' responses to violence, this book considers how artists have used art practices to rethink concepts of violence and non-violence. It explores the strategies that artists have deployed to expose physical and symbolic violence through representational, performative and interventional means. It examines how intellectual and material contexts have affected art interventions and how visual arts can open up critical spaces to explore violence without reinforcement or recuperation. Its premises are that art is not only able to contest prevailing norms about violence but that contemporary artists are consciously engaging with publics through their practice in order to do so. Contributors respond to three questions: how can political violence be understood or interpreted through art? How are publics understood or identified? How are art interventions designed to shift, challenge or respond to public perceptions of political violence and/or are constrained by them? They discuss violence in the everyday and at state level: the Watts' Rebellion and Occupy, repression in Russia, domination in Hong Kong, the violence of migration and the unfolding art activist logic of the sigma portfolio"--
UR  - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1083277
ER  -