Novelist Tagore gender and modernity in selected texts

By:

Chakravarty, Radha

Material type: Text

TextPublication details: London Routledge 2013Description: 160p. 22 cmISBN:

9780415840439

Subject(s):

Tagore, Rabindranath, 1861-1941 -- Criticism and interpretation

DDC classification:

22 CH-N 891.4414

LOC classification:

PK1727.F5+

Summary: Rabindranath Tagore is widely regarded as a poet-philosopher and educationist, but his novels remain a relatively underexplored aspect of his oeuvre. Focusing on gender and modernity as key features of his fiction, this book charts Tagore's evolution as a novelist from self-conscious psychologizing in Chokher Bali to an engagement with nationalism in Gora and Ghare Baire (The Home and the World); a portrayal of asceticism and desire in Chaturanga (Quartet); an analysis of marriage, sexuality and change in Bengali society in Yogayog (Relationships); an effervescent fusion of social satire and literary experimentation in Shesher Kabita (Farewell Song); and an intense, dramatic study of love, politics, and terrorism in Char Adhyay (Four Chapters).

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Holdings
Item type	Home library	Collection	Shelving location	Call number	Materials specified	Status	Date due	Barcode
Print	OPJGU Sonepat- Campus	General Books	Main Library	891.4414 CH-N (Browse shelf(Opens below))		Available		128870

Includes bibliographical references (pages 146-154) and index.

Rabindranath Tagore is widely regarded as a poet-philosopher and educationist, but his novels remain a relatively underexplored aspect of his oeuvre. Focusing on gender and modernity as key features of his fiction, this book charts Tagore's evolution as a novelist from self-conscious psychologizing in Chokher Bali to an engagement with nationalism in Gora and Ghare Baire (The Home and the World); a portrayal of asceticism and desire in Chaturanga (Quartet); an analysis of marriage, sexuality and change in Bengali society in Yogayog (Relationships); an effervescent fusion of social satire and literary experimentation in Shesher Kabita (Farewell Song); and an intense, dramatic study of love, politics, and terrorism in Char Adhyay (Four Chapters).

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