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Chapter Деконструктивные практики XIX века (от натуральной школы до Л.Н.ï¿½Толстого) и Ф.М.ï¿½Достоевский

By:

Borowski, Marcin [auth]

Contributor(s):

Kazakov, Alexey [auth]

Material type: Text

TextLanguage: Russian Series: Publication details: Florence Firenze University Press 2023Description: 1 electronic resource (11 p.)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

979-12-215-0122-3.05
9791221501223

Subject(s):

Online resources:

Summary: Deconstruction in the 19th Century (from the Natural School to Leo Tolstoy) and Fyodor Dostoevsky. The modern understanding of deconstruction arose from post-structuralism and implies distrust of semblance, the outward appearance of any ideology or structure, together with the search for a hidden interior. Dostoevsky renounces one-dimensionality and shows its deconstructing nature. He considers it a prejudice to believe that disclosing the hidden and forbidden has more "truth" in it, as is evident from his dispute with Tolstoy, who uses the principle of exposing the ignoble background of a supposedly noble national ideology to criticize the "defenders of the Slavic brothers" in Anna Karenina. Dostoevsky refuses to recognize the results of deconstruction (the denial of the declared) as the last and only version of the truth about reality. His approach can be defined as the "deconstruction of deconstruction."

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Deconstruction in the 19th Century (from the Natural School to Leo Tolstoy) and Fyodor Dostoevsky. The modern understanding of deconstruction arose from post-structuralism and implies distrust of semblance, the outward appearance of any ideology or structure, together with the search for a hidden interior. Dostoevsky renounces one-dimensionality and shows its deconstructing nature. He considers it a prejudice to believe that disclosing the hidden and forbidden has more "truth" in it, as is evident from his dispute with Tolstoy, who uses the principle of exposing the ignoble background of a supposedly noble national ideology to criticize the "defenders of the Slavic brothers" in Anna Karenina. Dostoevsky refuses to recognize the results of deconstruction (the denial of the declared) as the last and only version of the truth about reality. His approach can be defined as the "deconstruction of deconstruction."