Tainted Souls and Painted Faces The Rhetoric of Fallenness in Victorian Culture

By:

Anderson, Amanda [auth]

Material type: Text

TextLanguage: English Series: Publication details: Ithaca Cornell University Press 1993Description: 1 electronic resource (264 p.)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780801427817
9781501722677
9781501722684
9781501727733
sjtk-3290

Subject(s):

Online resources:

Summary: Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction-the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility.

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Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction-the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility.

National Endowment for the Humanities

Creative Commons https://creativecommons.org/licenses/by-nc-nd/4.0/ cc

https://creativecommons.org/licenses/by-nc-nd/4.0/

English

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