Chapter 12 The partial and the vague as a visual mode in Bronze Age rock art
Material type: TextLanguage: English Series: Publication details: Manchester Manchester University Press 2020Description: 1 electronic resource (14 p.)Content type:- text
- computer
- online resource
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Electronic-Books | OPJGU Sonepat- Campus | E-Books Open Access | Available |
Open Access Unrestricted online access star
Studies of rock art normally depart from a classification of type, style and what the motifs represents or depicts. South Scandinavian rock art, however, is often vague, incomplete and fragmentary. In this chapter, it is argued that certain rock art motifs, mainly boats and anthropomorphs, were deliberately made incomplete as a part of a vitalist technology with the aim of affecting the world. An important aspect of such visual vagueness, intentional or not, is that it can function as a punctum in Roland Barthes's terminology and evoke affect among beholders. The incomplete motifs also stress the making of rock art as a continuous process in which details can be added over time to enhance certain aspects or radically alter the motif. The chapter is illustrated with examples of Bronze Age rock art of the Ml̃aren district in central-eastern Sweden.
Stockholms Universitet
Creative Commons https://creativecommons.org/licenses/by-nc-nd/4.0/ cc
https://creativecommons.org/licenses/by-nc-nd/4.0/
English
There are no comments on this title.