Tactical Entanglements AI Art, Creative Agency, and the Limits of Intellectual Property
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 1839
- 9783957961839
- 9783957961846
- Media studies
- Aesthetics
- Art
- Artificial Intelligence
- Authorship
- Capital
- Creative Agency
- Digital-, Video- und New Media-Kunst
- Intellectual Property
- Internet und digitale Medien: Kunst und Performance
- Law
- Medienwissenschaften: Internet, digitale Medien und Gesellschaft
- Nonbooks, PBS / Medien, Kommunikation/Medienwissenschaft
- Ownership
- Posthumanism
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books Open Access | Available |
Open Access Unrestricted online access star
How do artistic experiments with artificial intelligence problematize human-centered notions of creative agency, authorship, and ownership? Offering a wide-ranging discussion of contemporary digital art practices, philosophical and technical considerations of AI, posthumanist thought, and emerging issues of intellectual property and the commons, this book is firmly positioned against the anthropomorphic spectacle of "creative AI." It proposes instead the concept of the posthumanist agential assemblage, and invites readers to consider what new types of creative practice, what reconfigurations of the author function, and what critical interventions become possible when AI art provokes tactical entanglements between aesthetics, law, and capital.
Creative Commons https://creativecommons.org/licenses/by-sa/4.0/ cc
https://creativecommons.org/licenses/by-sa/4.0/
English
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