"Grandiosos Batuques" Tense̳s, arranjos e experin̊cias coloniais em Moȧmbique (1890-1940)
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O "batuque" possui uma histr̤ia ml͠tipla. O termo foi empregado para designar diferentes prt̀icas musicais e tipos de performance produzidos por africanos e/ou afrodescendentes. Este livro tem como objetivo investigar as formas como os "batuques" foram praticados e resignificados pelo colonialismo portugus̊ em Lourenȯ Marques - atual Maputo - e no sul de Moȧmbique durante o pero̕do de 1890-1940. As categorias criadas e implementadas pela aȯ̂ colonial portuguesa nô foram capazes de conter a multiplicidade de experin̊cias das populaė̳s africanas e das suas prt̀icas. Por meio de ferramentas ter̤ico-metodolg̤icas da Histr̤ia Social da Cultura, da histr̤ia "vista de baixo" e da microhistr̤ia, os "batuques" configuram-se neste livro como objeto de investigaȯ̂ e janela privilegiada para analisar resistn̊cias, tense̳s e arranjos cotidianos daqueles que foram subalternizados pelo poder colonizador portugus̊ na regiô.
The word "batuque" (drums) has a multiple history. In general, until today, it is used to name different musical performances and practices produced by Africans or Afro-descendants. This book investigates the historical processes around the "batuques" during the Portuguese early colonialism in Lourenȯ Marques - currently Maputo - and in southern Mozambique (1890-1940). The categories forged by Portuguese colonial discourses were not able to grasp the multiplicity of experiences of African populations and their practices. Through theoretical and methodological Social History framework, perspectives based on the history "from below" and microhistory research in archives, the "batuques" are, in this book, an object of investigation and a privileged window to analyze resistance, tensions and daily arrangements of those who were subordinated by the Portuguese colonizing power in the region.
Creative Commons https://creativecommons.org/licenses/by-nc-nd/4.0/ cc
https://creativecommons.org/licenses/by-nc-nd/4.0/
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