Theaters of Citizenship : Aesthetics and Politics of Avant-Gardist Performance in Egypt
Material type:![Article](/opac-tmpl/lib/famfamfam/AR.png)
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
![]() |
OPJGU Sonepat- Campus | E-Books Open Access | Available |
Open Access star Unrestricted online access
Theaters of Citizenship investigates the Egyptian movement for free theater, arguing that it evolved from an avant-gardist movement to an undercommons of revolutionary cultural practice. Using historiography, ethnography, and performance analysis, the book tells a story of this avant-garde from 2004-2014, analyzing its staging of rights claims, generational identity politics, and post-revolution citizenship. Using Moten and Harney's theory of the undercommons, a space-time for politicized cultural practice, the book extends avant-gardist theater theory to consider the revolutionary potential of performance within and outside theater spaces. Pahwa considers the performer's bodily repertoire as a medium of cultural and political citizenship, drawing on Diana Taylor's concept of repertoire, and expanding it to account for how performance mediates futurist culture and revolutionary practice.
Knowledge Unlatched
Creative Commons https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode cc https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
English
There are no comments on this title.