Narrating North American Borderlands : Thomas King, Howard F. Mosher and Jim Lynch

By:

Mayer, Evelyn P [auth]

Material type: Article

ArticleLanguage: English Publication details: Bern Peter Lang International Academic Publishing Group 20141125Description: 1 electronic resource (227 p.)ISBN:

978-3-653-04497-3
9783653983548;9783631653227

Subject(s): Online resources:

Summary: The study centers on the presentation of the North American borderlands in the works of Canadian Native writer Thomas King's Truth & Bright Water (1999), American writer Howard Frank Mosher's On Kingdom Mountain (2007), and American writer Jim Lynch's Border Songs (2009). The three authors describe the peoples and places in the northeastern, middle and northwestern border regions of the USA and Canada. The novels address important border-oriented aspects such as indigeneity, the borderlands as historic territory and as utopian space, border crossing and transcendence, post-9/11 security issues, social interaction along the border, and gender specifics. The interpretation also examines the meaning of border imaginaries, border conceptualizations, and the theme of resistance and subversion.

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Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books Open Access			Available

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The study centers on the presentation of the North American borderlands in the works of Canadian Native writer Thomas King's Truth & Bright Water (1999), American writer Howard Frank Mosher's On Kingdom Mountain (2007), and American writer Jim Lynch's Border Songs (2009). The three authors describe the peoples and places in the northeastern, middle and northwestern border regions of the USA and Canada. The novels address important border-oriented aspects such as indigeneity, the borderlands as historic territory and as utopian space, border crossing and transcendence, post-9/11 security issues, social interaction along the border, and gender specifics. The interpretation also examines the meaning of border imaginaries, border conceptualizations, and the theme of resistance and subversion.

Creative Commons https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode cc https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode

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