Imagining Minds : The Neuro-Aesthetics of Austen, Eliot, and Hardy / Kay Young.
Material type:
TextSeries: Theory and interpretation of narrative | Theory and interpretation of narrative series | Book collections on Project MUSEPublisher: Columbus : Ohio State University Press, 2010Manufacturer: Baltimore, Md. : Project MUSE, 2014Copyright date: ©2010Description: 1 online resource (x, 218 p.)Content type: - text
- computer
- online resource
- 0814270921
- 0814251749
- 9780814251744
- 9780814270929
- Mind-brain identity theory
- Other minds (Theory of knowledge)
- Consciousness in literature
- English literature -- 19th century -- History and criticism
- Hardy, Thomas, 1840-1928 -- Criticism and interpretation
- Eliot, George, 1819-1880 -- Criticism and interpretation
- Austen, Jane, 1775-1817 -- Criticism and interpretation
- 823/.809353 22
- PR468.C66 Y68 2010
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Electronic-Books
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OPJGU Sonepat- Campus | E-Books Open Access | Available |
Includes bibliographical references (p. 197-204) and index.
Introduction : the integrated mind -- Jane Austen and self-consciousness -- "A mind lively and at ease" : imagination and Emma -- "You pierce my soul" : feeling embodied and persuasion -- George Eliot and other-consciousness -- "A voice like music" : the problem of other minds and Middlemarch -- "Beloved ideas made flesh" : the embodied mind and Daniel Deronda -- Thomas Hardy and nonintrospective consciousness -- "Now I am melancholy mad" : mood and Jude the obscure -- "That blue narcotic haze" : dreams, dissociation, and Tess of the d'Urbervilles -- Coda : the neurology of narrative.
Open Access Unrestricted online access star
Description based on print version record.
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