Imagination and Science in Romanticism / Richard C. Sha.

By:

Sha, Richard C [author.]

Contributor(s):

Project Muse [distributor]

Material type: Text

TextSeries: Book collections on Project MUSEPublisher: Baltimore : Johns Hopkins University Press, 2018Manufacturer: Baltimore, Md. : Project MUSE, 2018Copyright date: ©2018Description: 1 online resource (pages cm)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781421425795
9781421425788
9781421441245

Subject(s):

Genre/Form:

Electronic books.

DDC classification:

820.9/356 23

LOC classification:

PR468.S34 S53 2018

Online resources:

Full text available:

Contents:

Imagining dynamic matter: Percy Shelley, Prometheus unbound and the chemistry and physics of matter -- William Blake and the neurological imagination: romantic science, nerves, and the emergent self -- The physiological imagination and Coleridge's Biographia -- Obstetrics and embryology: science and imagination in Frankenstein.

Summary: "In Imagination and Science in Romanticism, Richard Sha challenges the idea that the imagination could only be applied to the literary and that its primary role was to transcend scientific concerns. Sha shows how the imagination functioned within physics and chemistry in Prometheus Unbound, neurology in Blake's Four Zoas, physiology in Coleridge's Biographia Literaria, and obstetrics and embryology in Frankenstein. Sha also shows how the imagination was used in the scientific community, highlighting as primary examples the work of Davy, Faraday, Priestley, Kant, Mary Somerville, Oersted, Marcet, Swedenborg, Blumenbach, Buffon, Erasmus Darwin, and Von Baer, among others. Both fields profited from thinking about how the imagination could cooperate with reason and how hypotheses that had the possibility of actuality could benefit their work" -- Provided by publisher.

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Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books Open Access			Available

Includes bibliographical references and index.

Open Access Unrestricted online access star

"In Imagination and Science in Romanticism, Richard Sha challenges the idea that the imagination could only be applied to the literary and that its primary role was to transcend scientific concerns. Sha shows how the imagination functioned within physics and chemistry in Prometheus Unbound, neurology in Blake's Four Zoas, physiology in Coleridge's Biographia Literaria, and obstetrics and embryology in Frankenstein. Sha also shows how the imagination was used in the scientific community, highlighting as primary examples the work of Davy, Faraday, Priestley, Kant, Mary Somerville, Oersted, Marcet, Swedenborg, Blumenbach, Buffon, Erasmus Darwin, and Von Baer, among others. Both fields profited from thinking about how the imagination could cooperate with reason and how hypotheses that had the possibility of actuality could benefit their work" -- Provided by publisher.

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