The Non-Library / Trevor Owen Jones.

By:

Jones, Trevor Owen [author.]

Contributor(s):

Material type: Text

TextSeries: Book collections on Project MUSEPublisher: Baltimore, Maryland : Project Muse, 2020Manufacturer: Baltimore, Md. : Project MUSE, 2020Copyright date: ©2020Description: 1 online resource (84 pages) : illustrationsContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780615945446

Subject(s):

Genre/Form:

Electronic books.

Additional physical formats: Print version:: No titleLOC classification:

Z665 .J675 2013

Online resources:

Full text available:

Contents:

Author's intentions -- Prolegomena -- Derrida's archive -- Fichte -- Parabiography -- Badiou, Borges, Bataille -- Meditations -- The non-Virgil.

Summary: "I have been forced to become . . . a librarian."--Georges Bataille. The Non-Library is a non-standard expression for life that is lived without mediation from words, images, or even ideas. While a thing called "the Library" continues to terrorize humanity even as it enters its last stages as a consequence of cataclysmic climate change and late capitalism, the Non-Library is a strictly performative, ahistorical immanence that suspends the Library's insistent calls to categorization, representation, and reification. Of course, to describe or circumscribe such ineffability has its limits, but it also has its thresholds to cross: with commentary on Derrida's Archive Fever, a deconstruction of Fichte, a parabiographical meditation on librarianship, and a vamping on the possible "Non-Virgil," The Non-Library gently proposes a negative capability in liminal spaces in order to best escape and resist the Library's stranglehold on human knowledge and its requisite social imaginations."Let us now descend into the blind world . . . ." --Dante. Building on the non-standard thought of Francois Laruelle's non-philosophy, while not beholden to it, The Non-Library attempts to leave the discourse of the university behind and uses its citations of Badiou, Borges, Bataille, and Dante instead to construct a philo-fiction more akin to the immanence of music and its many expressions rather than Philosophy's demand that all questions be eventually answered, that the Real is ultimately thinkable, or that all of Life might possibly be contained in the Library.

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Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books Open Access			Available

Issued as part of book collections on Project MUSE.

Includes bibliographical references (pages 81-84).

Author's intentions -- Prolegomena -- Derrida's archive -- Fichte -- Parabiography -- Badiou, Borges, Bataille -- Meditations -- The non-Virgil.

Open Access Unrestricted online access star

"I have been forced to become . . . a librarian."--Georges Bataille. The Non-Library is a non-standard expression for life that is lived without mediation from words, images, or even ideas. While a thing called "the Library" continues to terrorize humanity even as it enters its last stages as a consequence of cataclysmic climate change and late capitalism, the Non-Library is a strictly performative, ahistorical immanence that suspends the Library's insistent calls to categorization, representation, and reification. Of course, to describe or circumscribe such ineffability has its limits, but it also has its thresholds to cross: with commentary on Derrida's Archive Fever, a deconstruction of Fichte, a parabiographical meditation on librarianship, and a vamping on the possible "Non-Virgil," The Non-Library gently proposes a negative capability in liminal spaces in order to best escape and resist the Library's stranglehold on human knowledge and its requisite social imaginations."Let us now descend into the blind world . . . ." --Dante. Building on the non-standard thought of Francois Laruelle's non-philosophy, while not beholden to it, The Non-Library attempts to leave the discourse of the university behind and uses its citations of Badiou, Borges, Bataille, and Dante instead to construct a philo-fiction more akin to the immanence of music and its many expressions rather than Philosophy's demand that all questions be eventually answered, that the Real is ultimately thinkable, or that all of Life might possibly be contained in the Library.

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