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Walking on fire : the shaping force of emotion in writing drama / Jim Linnell.

By: Material type: TextTextPublication details: Carbondale : Southern Illinois University Press, ©2011.Description: 1 online resource (ix, 129 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780809390663
  • 0809390663
Subject(s): Genre/Form: Additional physical formats: Print version:: Walking on fire.DDC classification:
  • 808.2 22
LOC classification:
  • PN1661 .L45 2011eb
Online resources:
Contents:
Seeds of emotional form -- Fire hose and the nozzle -- End is where you started -- Collaborating with calamity -- Practice of fire walking.
Summary: In this bold new way of looking at dramatic structure, Jim Linnell establishes the central role of emotional experience in the conception, execution, and reception of plays. Walking on Fire: The Shaping Force of Emotion in Writing Drama examines dramatic texts through the lens of human behavior to identify the joining of event and emotion in a narrative, defined by Linnell as emotional form. Effectively building on philosophy, psychology, and critical theory in ways useful to both scholars and practitioners, Linnell unfolds the concept of emotional form as t.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 121-123) and index.

Seeds of emotional form -- Fire hose and the nozzle -- End is where you started -- Collaborating with calamity -- Practice of fire walking.

Print version record.

In this bold new way of looking at dramatic structure, Jim Linnell establishes the central role of emotional experience in the conception, execution, and reception of plays. Walking on Fire: The Shaping Force of Emotion in Writing Drama examines dramatic texts through the lens of human behavior to identify the joining of event and emotion in a narrative, defined by Linnell as emotional form. Effectively building on philosophy, psychology, and critical theory in ways useful to both scholars and practitioners, Linnell unfolds the concept of emotional form as t.

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