Afro-Cuban identity in postrevolutionary novel and film : inclusion, loss, and cultural resistance / Andrea Easley Morris.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9781611484236
- 1611484235
- 9781611484236
- 1280663618
- 9781280663611
- 9786613640543
- 6613640549
- 1611484227
- 9781611484229
- Cuban literature -- 20th century -- History and criticism
- Black people in literature
- Race in literature
- Identity (Philosophical concept) in literature
- Motion pictures -- Cuba -- History -- 20th century
- Black people in motion pictures
- Race in motion pictures
- Black people -- Race identity -- Cuba -- History -- 20th century
- Noirs dans la littérature
- Race dans la littérature
- Identité dans la littérature
- Cinéma -- Cuba -- Histoire -- 20e siècle
- Noirs au cinéma
- Race au cinéma
- LITERARY CRITICISM -- Caribbean & Latin America
- Black people in literature
- Black people in motion pictures
- Black people -- Race identity
- Cuban literature
- Identity (Philosophical concept) in literature
- Motion pictures
- Race in literature
- Race in motion pictures
- Cuba
- 1900-1999
- 863/.640997291 23
- PQ7372
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 165-173) and index.
Print version record and CIP data provided by publisher; resource not viewed.
Introduction -- Contradictory approaches to race, from independence to revolution. Representing difference in colonial and republican settings -- Slave rebellion and cultural resistance -- Performing the mulata rumbera -- Fragmented Cubanness by way of détour -- Post-revolutionary identities in conflict. Black masculinity in crisis -- Race, place, and marginality -- Conclusion -- Epilogue: the 1980s and beyond.
Afro-Cuban identity in Post-Revolutionary Novel and Film examines the changing discourse on race as portrayed in Cuban novels and films produced after 1959.
English.
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