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Real time : accelerating narrative from Balzac to Zola / David F. Bell.

By: Material type: TextTextPublisher: Urbana : University of Illinois Press, [2004]Copyright date: ©2004Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780252090479
  • 0252090470
Subject(s): Genre/Form: Additional physical formats: Print version:: Real timeDDC classification:
  • 843/.709355 21
LOC classification:
  • PQ653
Online resources:
Contents:
Webs : genealogies, roads, streets (Balzac) -- Intersections : relays, stagecoaches, walks (Balzac bis) -- Performances : horses, optical telegraphs (Stendhal) -- Velocities : precision, overload (Dumas) -- Conclusion: speed kills (Zola).
Summary: In "Real Time" David F. Bell explores the decisive impact the accelerated movement of people and information had on the fictions of four giants of French realism--Balzac, Stendhal, Dumas, and Zola. Nineteenth-century technological advances radically altered the infrastructure of France, changing the ways ordinary citizens--and literary characters--viewed time, space, distance, and speed. The most influential of these advances included the improvement of the stagecoach, the growth of road and canal networks leading to the advent of the railway, and the increasing use of mail, and of the optical telegraph. Citing examples from a wide range of novels and stories, Bell demonstrates the numerous ways in which these trends of acceleration became not just literary devices and themes but also structuring principles of the novels themselves.
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Includes bibliographical references (pages 151-154) and index.

Description based on print version record.

Webs : genealogies, roads, streets (Balzac) -- Intersections : relays, stagecoaches, walks (Balzac bis) -- Performances : horses, optical telegraphs (Stendhal) -- Velocities : precision, overload (Dumas) -- Conclusion: speed kills (Zola).

In "Real Time" David F. Bell explores the decisive impact the accelerated movement of people and information had on the fictions of four giants of French realism--Balzac, Stendhal, Dumas, and Zola. Nineteenth-century technological advances radically altered the infrastructure of France, changing the ways ordinary citizens--and literary characters--viewed time, space, distance, and speed. The most influential of these advances included the improvement of the stagecoach, the growth of road and canal networks leading to the advent of the railway, and the increasing use of mail, and of the optical telegraph. Citing examples from a wide range of novels and stories, Bell demonstrates the numerous ways in which these trends of acceleration became not just literary devices and themes but also structuring principles of the novels themselves.

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