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Living with lynching : African American lynching plays, performance, and citizenship, 1890-1930 / Koritha Mitchell.

By: Material type: TextTextSeries: New Black studies seriesPublisher: Urbana : University of Illinois Press, 2011Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780252093524
  • 0252093526
  • 1283582902
  • 9781283582902
  • 9786613895356
  • 6613895350
Subject(s): Genre/Form: Additional physical formats: Print version:: Living with lynchingDDC classification:
  • 812/.509896073 22
LOC classification:
  • PS338.N4
Online resources:
Contents:
Making lynching drama and its contributions legible. Scenes and scenarios : reading aright -- Redefining "black theater" -- Developing a genre, asserting black citizenship. The black soldier : elevating community conversation -- The black lawyer : preserving testimony -- The black mother/wife : negotiating trauma -- The pimp and coward : offering gendered revisions.
Summary: "Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 demonstrates that popular lynching plays were mechanisms through which African American communities survived actual and photographic mob violence. Often available in periodicals, lynching plays were read aloud or acted out by black church members, schoolchildren, and families. Koritha Mitchell shows that African Americans performed and read the scripts in community settings to certify to each other that lynch victims were not the isolated brutes that dominant discourses made them out to be. Instead, the play scripts often described victims as honorable heads of household being torn from model domestic units by white violence. In closely analyzing the political and spiritual uses of black theatre during the Progressive Era, Mitchell demonstrates that audiences were shown affective ties in black families, a subject often erased in mainstream images of African Americans. Examining lynching plays as archival texts that embody and reflect broad networks of sociocultural activism and exchange in the lives of black Americans, Mitchell finds that audiences were rehearsing and improvising new ways of enduring in the face of widespread racial terrorism. Images of the black soldier, lawyer, mother, and wife helped readers assure each other that they were upstanding individuals who deserved the right to participate in national culture and politics. These powerful community coping efforts helped African Americans band together and withstand the nation's rejection of them as viable citizens."--Jacket.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Making lynching drama and its contributions legible. Scenes and scenarios : reading aright -- Redefining "black theater" -- Developing a genre, asserting black citizenship. The black soldier : elevating community conversation -- The black lawyer : preserving testimony -- The black mother/wife : negotiating trauma -- The pimp and coward : offering gendered revisions.

Description based on print version record.

"Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890-1930 demonstrates that popular lynching plays were mechanisms through which African American communities survived actual and photographic mob violence. Often available in periodicals, lynching plays were read aloud or acted out by black church members, schoolchildren, and families. Koritha Mitchell shows that African Americans performed and read the scripts in community settings to certify to each other that lynch victims were not the isolated brutes that dominant discourses made them out to be. Instead, the play scripts often described victims as honorable heads of household being torn from model domestic units by white violence. In closely analyzing the political and spiritual uses of black theatre during the Progressive Era, Mitchell demonstrates that audiences were shown affective ties in black families, a subject often erased in mainstream images of African Americans. Examining lynching plays as archival texts that embody and reflect broad networks of sociocultural activism and exchange in the lives of black Americans, Mitchell finds that audiences were rehearsing and improvising new ways of enduring in the face of widespread racial terrorism. Images of the black soldier, lawyer, mother, and wife helped readers assure each other that they were upstanding individuals who deserved the right to participate in national culture and politics. These powerful community coping efforts helped African Americans band together and withstand the nation's rejection of them as viable citizens."--Jacket.

English.

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