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Groove music : the art and culture of the hip-hop DJ / Mark Katz.

By: Material type: TextTextPublisher: New York : Oxford University Press, [2012]Copyright date: ©2012Description: 1 online resource (x, 333 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780199716050
  • 0199716056
  • 9781280594427
  • 128059442X
Subject(s): Genre/Form: Additional physical formats: Print version:: Groove music.DDC classification:
  • 782.421649 23
LOC classification:
  • ML3531 .K37 2012eb
Other classification:
  • J605
Online resources:
Contents:
The breaks and the Bronx: 1973-1975 -- Mix and scratch-The turntable becomes a musical instrument: 1975-1978 -- Out of the Bronx and into the shadows: 1978-1983 -- Expansions: 1983-1989 -- Turntablism: 1989-1996 -- The art of war-The DJ battle: 1991-1996 -- Legitimacy: 1996-2002 -- Falling barriers: 2002-2011 --Conclusion: Full circle -- Appendix 1: The DJ's instrument -- Appendix 2: Raw materials and finished products: Breaks, tracks, and albums -- Appendix 3: Major battle winners, 1981-2011.
Summary: It's all about the scratch in Groove Music, award-winning music historian Mark Katz's groundbreaking book about the figure that defined hip-hop: the DJ. Today hip-hop is a global phenomenon, and the sight and sound of DJs mixing and scratching is familiar in every corner of the world. But hip-hop was born in the streets of New York in the 1970s when a handful of teenagers started experimenting with spinning vinyl records on turntables in new ways. Although rapping has become the face of hip-hop, for nearly 40 years the DJ has proven the backbone of the culture. In Groove Music, Katz (an amateur.
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It's all about the scratch in Groove Music, award-winning music historian Mark Katz's groundbreaking book about the figure that defined hip-hop: the DJ. Today hip-hop is a global phenomenon, and the sight and sound of DJs mixing and scratching is familiar in every corner of the world. But hip-hop was born in the streets of New York in the 1970s when a handful of teenagers started experimenting with spinning vinyl records on turntables in new ways. Although rapping has become the face of hip-hop, for nearly 40 years the DJ has proven the backbone of the culture. In Groove Music, Katz (an amateur.

Includes bibliographical references (pages 303-312), discography (296-302) , and index.

The breaks and the Bronx: 1973-1975 -- Mix and scratch-The turntable becomes a musical instrument: 1975-1978 -- Out of the Bronx and into the shadows: 1978-1983 -- Expansions: 1983-1989 -- Turntablism: 1989-1996 -- The art of war-The DJ battle: 1991-1996 -- Legitimacy: 1996-2002 -- Falling barriers: 2002-2011 --Conclusion: Full circle -- Appendix 1: The DJ's instrument -- Appendix 2: Raw materials and finished products: Breaks, tracks, and albums -- Appendix 3: Major battle winners, 1981-2011.

Print version record.

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