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Imagining gay paradise : Bali, Bangkok, and cyber-Singapore / Gary L. Atkins.

By: Material type: TextTextPublication details: Hong Kong : Hong Kong University Press ; London : Eurospan [distributor], 2012.Description: 1 online resource (x, 316 pages, 8 unnumbered pages of plates) : illustrations, portraitContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789888053896
  • 9888053892
  • 9789882209305
  • 9882209300
Subject(s): Genre/Form: Additional physical formats: Print version:: Imagining gay paradise.DDC classification:
  • 306.76620959 23
LOC classification:
  • HQ76 .A873 2012eb
Online resources:
Contents:
pt. 1. At the end of empires -- ch. 1. The triple supremacy -- ch. 2. The problem with home (1) -- ch. 3. Men of the feast : Saranrom -- ch. 4. The escape from Nosferatu -- ch. 5. A new man for Siam -- ch. 6. Magical reality, running amok -- ch. 7. Men of the dance -- ch. 8. The triple taboo -- ch. 9. A pivotal year -- ch. 10. A final chord -- ch. 11. Dancing with Ezekiel -- ch. 12. Transition : a murder for paradise -- pt. 2. The hope for a better age -- ch. 13. Nanyang family -- ch. 14. Men of the feast : Babylon -- ch. 15. The problem with home (2) -- ch. 16. A new man for Thailand -- ch. 17. Men of the Net -- ch. 18. A pivotal day -- ch. 19. Dancing under the merlion -- ch. 20. A new nation -- Postscript -- Notes -- Select bibliography -- Index.
Summary: Mages of Manhood asks the question: How have gay/queer men in Southeast Asia used images of paradise to construct homes for themselves and for the different ideas of manhood they represent? The book examines how three gay men in Bali, Bangkok, and Singapore have deployed different ideas of "paradise" over the past century to create a sense of refuge and to dissent from typical notions of manhood and masculinity. For the disciplines of queer studies, gender studies, communication, and Southeast Asian studies, it provides (1) a "queer reading" of Walter Spies, a gay German painter who in the 1930s helped turned Bali into an island imagined as an ideal male aesthetic state; (2) a historical account of the absorption of Western notions of romantic heterosexual monogamy in Thailand during the reign of King Rama VI, providing an analysis of his plays, and the subsequent resistance to those notions expressed through an erotic, architectural paradise called Babylon created by a post-World War II Thai named Khun Toc; and (3) an account and analysis of the "cyber-paradise" created by a young Singaporean named Stuart Koe. The book examines their pursuit of sexual justice, the ideologies of manhood they challenged, the different types of gay spaces they created (geographic, architectural, online), and the political obstacles they have encountered. Because of its historical sweep and its focus on the relationship between gay men and ideas of Edenic space, it makes an important contribution to understanding gay/queer life in Southeast Asia
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 261-305) and index.

Print version record.

pt. 1. At the end of empires -- ch. 1. The triple supremacy -- ch. 2. The problem with home (1) -- ch. 3. Men of the feast : Saranrom -- ch. 4. The escape from Nosferatu -- ch. 5. A new man for Siam -- ch. 6. Magical reality, running amok -- ch. 7. Men of the dance -- ch. 8. The triple taboo -- ch. 9. A pivotal year -- ch. 10. A final chord -- ch. 11. Dancing with Ezekiel -- ch. 12. Transition : a murder for paradise -- pt. 2. The hope for a better age -- ch. 13. Nanyang family -- ch. 14. Men of the feast : Babylon -- ch. 15. The problem with home (2) -- ch. 16. A new man for Thailand -- ch. 17. Men of the Net -- ch. 18. A pivotal day -- ch. 19. Dancing under the merlion -- ch. 20. A new nation -- Postscript -- Notes -- Select bibliography -- Index.

Mages of Manhood asks the question: How have gay/queer men in Southeast Asia used images of paradise to construct homes for themselves and for the different ideas of manhood they represent? The book examines how three gay men in Bali, Bangkok, and Singapore have deployed different ideas of "paradise" over the past century to create a sense of refuge and to dissent from typical notions of manhood and masculinity. For the disciplines of queer studies, gender studies, communication, and Southeast Asian studies, it provides (1) a "queer reading" of Walter Spies, a gay German painter who in the 1930s helped turned Bali into an island imagined as an ideal male aesthetic state; (2) a historical account of the absorption of Western notions of romantic heterosexual monogamy in Thailand during the reign of King Rama VI, providing an analysis of his plays, and the subsequent resistance to those notions expressed through an erotic, architectural paradise called Babylon created by a post-World War II Thai named Khun Toc; and (3) an account and analysis of the "cyber-paradise" created by a young Singaporean named Stuart Koe. The book examines their pursuit of sexual justice, the ideologies of manhood they challenged, the different types of gay spaces they created (geographic, architectural, online), and the political obstacles they have encountered. Because of its historical sweep and its focus on the relationship between gay men and ideas of Edenic space, it makes an important contribution to understanding gay/queer life in Southeast Asia

English.

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