A wider Trecento : studies in 13th- and 14th-century European art presented to Julian Gardner / edited by Louise Bourdua, Robert Gibbs.

Includes bibliographical references and index.

1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. Signifying Absence: Experiencing Monochrome Imagery in Medieval Painting / A Possible Colonna Family Stemma in the Church of Santa Prassede, Rome / Small Worlds: The Orbs in the Westminster Retable and the Wilton Diptych / Duccio and Devotion to the Virgin's Foot in Early Sienese Painting / A Royal Gift from Paris to Assisi: The Evolution of Design and Iconography circa 1300 / The Original Setting and Historical Context of the Fourteenth-Century Anthropomorphic Trinity' of the Museo di Roma at Palazzo Braschi / Patronising Poverty: Devotional Imagery and the Franciscan Spirituals in Romagna and the Marche / Celebrating the Scholar and Teacher: The Tomb of Thomas Gallus at Sant'Andrea in Vercelli (Mid 14th Century) / Bartolomeo and Jacopino da Reggio's Brera Triptych: A Possible Source for Its Provenance / The Look of Love / Bologna and the Popes: Simone dei Crocefissi's Portraits of Urban V / Some Pilgrimage Sources for Altichiero / Jill Bain -- John Osborne -- Dillian Gordon -- Joanna Cannon -- Virginia Glenn -- Claudia Bolgia -- Jill Farquhar -- Martina Schilling -- Roberto Cobianchi -- Anne Dunlop -- Robert Gibbs -- Louise Bourdua.

These studies explore aspects of Julian Gardner's wide range of interests and approaches, ranging from Parisian metalwork to the Wilton diptych, Franciscan iconography, the tomb of a leading theologian and several studies of the art of Rome and Northern Italy.

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