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The films of Elías Querejeta : a producer of landscapes / Tom Whittaker.

By: Material type: TextTextSeries: Iberian and Latin American studiesPublication details: Cardiff : University of Wales Press, 2011.Description: 1 online resource (176 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780708324394
  • 0708324398
  • 1299201091
  • 9781299201095
Subject(s): Genre/Form: Additional physical formats: Print version:: Films of Elías Querejeta.DDC classification:
  • 791.430232092 23
LOC classification:
  • PN1998.3.Q47 W45 2011eb
Online resources:
Contents:
Series Editors' Foreword; Acknowledgements; Producing Resistance: Elías Querejeta's PoliticalLandscapes; Geographies of Anxiety; Spaces of Violence; Infinite Landscapes; Rediscovering Roots: Ecology, Land and Region; No-Man's-Land: Transitional Space and Time; Global Spaces; Conclusion; Notes; Filmography; Works Cited; Index.
Summary: The Films of Elías Querejeta: A Producer of Landscapes is the first book in English to explore the career of Spain's most important producer. Through their recurring emphasis on landscape, his films have consistently documented a country in the grip of modernization from the 1960s to the present day. In particular, this book investigates the ways in which landscape in his productions can be understood as a site of political struggle against Francoism and Spain's embrace of neoliberal capitalism. In bringing together both the importance of cinematic and spatial production, the twin focus of thi.
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Includes bibliographical references (pages 163-170) and index.

Print version record.

Series Editors' Foreword; Acknowledgements; Producing Resistance: Elías Querejeta's PoliticalLandscapes; Geographies of Anxiety; Spaces of Violence; Infinite Landscapes; Rediscovering Roots: Ecology, Land and Region; No-Man's-Land: Transitional Space and Time; Global Spaces; Conclusion; Notes; Filmography; Works Cited; Index.

The Films of Elías Querejeta: A Producer of Landscapes is the first book in English to explore the career of Spain's most important producer. Through their recurring emphasis on landscape, his films have consistently documented a country in the grip of modernization from the 1960s to the present day. In particular, this book investigates the ways in which landscape in his productions can be understood as a site of political struggle against Francoism and Spain's embrace of neoliberal capitalism. In bringing together both the importance of cinematic and spatial production, the twin focus of thi.

English.

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