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Theatre history studies, 2010. Volume 30 : African and African American theatre past and present / edited by Rhona Justice-Malloy.

Contributor(s): Material type: TextTextPublication details: Tuscaloosa, Ala. : University of Alabama Press, 2010.Description: 1 online resource (301 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780817384807
  • 0817384804
Other title:
  • African and African American theatre past and present [Portion of title]
Subject(s): Genre/Form: Additional physical formats: Print version:: Theatre history studies, 2010. Volume 30.DDC classification:
  • 808.2 22
LOC classification:
  • PN2101 .T44 2010 v. 30eb
Online resources:
Contents:
Poor "Black" Theatre: Mid-America Theatre Conference Keynote Address, March 7, 2009 / E. Patrick Johnson -- Hit-and-Run Theatre: The Rise of a New Dramatic Form in Zimbabwe / Praise Zenega -- Abject No More: Authority and Authenticity in the Theatrical Career of Rose McClendon / Cheryl Black -- How Does the Show Go On? Theatre for Development in Post-election Kenya / Christopher Connelly -- The Unreported Miracle of Paul Robeson and The Miracle / Felicia Hardison Londre -- Mvett Performance: Retention, Reinvention, and Exaggeration in Remembering the Past / Mbala D. Nkanga -- "You Hip to Buffalo?" The Hidden Heritage of Black Theatre in Western New York/ Virginia Anderson -- Masculine Women, Feminist Men: Assertions and Contradictions in Mawugbe's In the Chest of a Woman / Awo Mana Asiedu -- Understanding Paul Robeson's Soviet Experience / Lauren McConnell -- Ota the Other: An African on Display in America / Jocelyn L. Buckner -- Oteller and Desdemonum: Defining-Nineteenth Century Blackness / Andrew Carlson -- "Looking at One's Self through the Eyes of Others": Representations of the Progressive Era Middle Class in W.E.B. Du Bois's The Star of Etheopia / Rebecca Hewett -- Knowing Their Place: The Ulster Lyric Theatre, the Lyric Theatre, and the Northern Irish Theatre Scene / Roy Connolly -- Thinking about the Theatre -- and Theatre Critics: An Interview with Robert Brustein, Conducted by Bert Cardullo, New York City, July 2008 / Bert Cardullo -- BOOK REVIEWS -- Rhonda Blair, The Actor, Image, and Action: Acting and Cognitive Neuroscience / Adrianne Adderley -- Bud Coleman and Judith A. Sebesta, eds., Women in American Musical Theare / Terry Berliner -- Thomas Alan King, The Gendering of Men, 1600-1750. Vol. 2, Queer Articulations / Scott S. Boston -- William E. Demastes, Spalding Gray's America / Johan Callens -- Anne Fletcher, Rediscovering Mordecai Gorelik: Scene Design and the American Theatre -- Barbara Wallace Grossman, A Spectacle of Suffering: Clara Morris on the American Stage / Anne Fletcher -- M. Susan Anthony, Gothic Plays and American Society, 1794-1830 / Diane Long Hoeveler -- Cathy Turner and Synne K. Behrndt, Dramaturgy and Performance / Valleri J. Hohman -- Diana Taylor and Sarah J. Townsend, eds., Stages of Conflict: A Critical Anthology of Latin American Theater and Performance / Jorge Huerta -- Anne Aliotsos and Weddy Vierow, American Women Stage Directors of the Twentieth Century / Megan Sanborn Jones -- Elina Gertsman, ed., Visualizing Medieval Performance: Perspectives, Histories, Contexts / Darin Kerr -- Laurence Senelick, ed., Theatre Arts on Acting / David Krasner -- Scott K. Taylor, Honor and Violence in Golden Age Spain / Hugh K. Long -- Leigh Clemons, Branding Texas: Performing Culture in the Lone Star State / Eric Love -- Teril Moi, Henerik Ibsen and the Birth of Modernism / Joe Martin -- Marc Robinson, The American Play, 1787-2000 / Heather S. Nathans -- Phillip C. Kolin, ed., The Influence of Tennessee Williams: Essays on Fifteen American Playwrights / Elizabeth A. Osborne -- Marc Maufort and Caroline de Wagter, eds., Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama / Barbara Ozieblo -- Melissa Sihra, ed., Women in Irish Drama: A Century of Authorship and Repression / W. Douglas Powers -- Christopher Bigsby, ed., The Cambridge Companion to August Wilson / Sandra Shannon -- Miranda Lundskaer- Nielson, Directors and the New Musical Drama: British and American Musical Theatre in the 1980s and 90s / Bryan M. Vandevender -- Sharon Friedman, ed., Feminist Theatrical Revisions of Classic Works / Sara L. Warner -- Robin G. Wilder and Jackson Bryer, eds., The Selected Letters of Thornton Wilder / Christopher J. Wheatley -- Milly S. Barranger, Unfriendly Witnesses: Gender, Theater, and Film in McCarthy Era / Barry Witham.
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"Theatre History Studies is an official journal of the Mid-America Theatre Conference, Inc. (MATC)."

Poor "Black" Theatre: Mid-America Theatre Conference Keynote Address, March 7, 2009 / E. Patrick Johnson -- Hit-and-Run Theatre: The Rise of a New Dramatic Form in Zimbabwe / Praise Zenega -- Abject No More: Authority and Authenticity in the Theatrical Career of Rose McClendon / Cheryl Black -- How Does the Show Go On? Theatre for Development in Post-election Kenya / Christopher Connelly -- The Unreported Miracle of Paul Robeson and The Miracle / Felicia Hardison Londre -- Mvett Performance: Retention, Reinvention, and Exaggeration in Remembering the Past / Mbala D. Nkanga -- "You Hip to Buffalo?" The Hidden Heritage of Black Theatre in Western New York/ Virginia Anderson -- Masculine Women, Feminist Men: Assertions and Contradictions in Mawugbe's In the Chest of a Woman / Awo Mana Asiedu -- Understanding Paul Robeson's Soviet Experience / Lauren McConnell -- Ota the Other: An African on Display in America / Jocelyn L. Buckner -- Oteller and Desdemonum: Defining-Nineteenth Century Blackness / Andrew Carlson -- "Looking at One's Self through the Eyes of Others": Representations of the Progressive Era Middle Class in W.E.B. Du Bois's The Star of Etheopia / Rebecca Hewett -- Knowing Their Place: The Ulster Lyric Theatre, the Lyric Theatre, and the Northern Irish Theatre Scene / Roy Connolly -- Thinking about the Theatre -- and Theatre Critics: An Interview with Robert Brustein, Conducted by Bert Cardullo, New York City, July 2008 / Bert Cardullo -- BOOK REVIEWS -- Rhonda Blair, The Actor, Image, and Action: Acting and Cognitive Neuroscience / Adrianne Adderley -- Bud Coleman and Judith A. Sebesta, eds., Women in American Musical Theare / Terry Berliner -- Thomas Alan King, The Gendering of Men, 1600-1750. Vol. 2, Queer Articulations / Scott S. Boston -- William E. Demastes, Spalding Gray's America / Johan Callens -- Anne Fletcher, Rediscovering Mordecai Gorelik: Scene Design and the American Theatre -- Barbara Wallace Grossman, A Spectacle of Suffering: Clara Morris on the American Stage / Anne Fletcher -- M. Susan Anthony, Gothic Plays and American Society, 1794-1830 / Diane Long Hoeveler -- Cathy Turner and Synne K. Behrndt, Dramaturgy and Performance / Valleri J. Hohman -- Diana Taylor and Sarah J. Townsend, eds., Stages of Conflict: A Critical Anthology of Latin American Theater and Performance / Jorge Huerta -- Anne Aliotsos and Weddy Vierow, American Women Stage Directors of the Twentieth Century / Megan Sanborn Jones -- Elina Gertsman, ed., Visualizing Medieval Performance: Perspectives, Histories, Contexts / Darin Kerr -- Laurence Senelick, ed., Theatre Arts on Acting / David Krasner -- Scott K. Taylor, Honor and Violence in Golden Age Spain / Hugh K. Long -- Leigh Clemons, Branding Texas: Performing Culture in the Lone Star State / Eric Love -- Teril Moi, Henerik Ibsen and the Birth of Modernism / Joe Martin -- Marc Robinson, The American Play, 1787-2000 / Heather S. Nathans -- Phillip C. Kolin, ed., The Influence of Tennessee Williams: Essays on Fifteen American Playwrights / Elizabeth A. Osborne -- Marc Maufort and Caroline de Wagter, eds., Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama / Barbara Ozieblo -- Melissa Sihra, ed., Women in Irish Drama: A Century of Authorship and Repression / W. Douglas Powers -- Christopher Bigsby, ed., The Cambridge Companion to August Wilson / Sandra Shannon -- Miranda Lundskaer- Nielson, Directors and the New Musical Drama: British and American Musical Theatre in the 1980s and 90s / Bryan M. Vandevender -- Sharon Friedman, ed., Feminist Theatrical Revisions of Classic Works / Sara L. Warner -- Robin G. Wilder and Jackson Bryer, eds., The Selected Letters of Thornton Wilder / Christopher J. Wheatley -- Milly S. Barranger, Unfriendly Witnesses: Gender, Theater, and Film in McCarthy Era / Barry Witham.

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