Theory of performing arts / by André Helbo.

By:

Helbo, André

Material type: Text

TextSeries: Critical theory ; v. 5.Publication details: Amsterdam ; Philadelphia : Benjamins, 1987.Description: 1 online resource (viii, 153 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9789027279002
9027279004
9781556190148
155619014X

Subject(s):

Genre/Form:

Additional physical formats: Print version:: Theory of performing arts.DDC classification:

790.2/0141 19

LOC classification:

PN1590.S26 H45 1987eb

Online resources:

Click here to access online

Summary: Annotation n recent years, the post structuralist theories seem to have created a split in theatrological research. But, as André Helbo analyses in this book , a dialectic theory of the semiotic and the symbolic exchange bring to light a specific paradigm. From his wide experience as a semiotician and a theatrologist, the author has developed an analysis for the theory of spectacle. Focusing his study on a critical theory of the performing arts, and examining the fundamental controversies, he then offers new perspectives and new instruments of analysis: the social aspects, readability/visibility, coherence, the spectacle contract.

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Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references (pages 147-153).

Annotation n recent years, the post structuralist theories seem to have created a split in theatrological research. But, as André Helbo analyses in this book , a dialectic theory of the semiotic and the symbolic exchange bring to light a specific paradigm. From his wide experience as a semiotician and a theatrologist, the author has developed an analysis for the theory of spectacle. Focusing his study on a critical theory of the performing arts, and examining the fundamental controversies, he then offers new perspectives and new instruments of analysis: the social aspects, readability/visibility, coherence, the spectacle contract.

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