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Burying the beloved : marriage, realism, and reform in modern Iran / Amy Motlagh.

By: Material type: TextTextPublication details: Stanford, Calif. : Stanford University Press, ©2012.Description: 1 online resource (xi, 183 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780804778183
  • 0804778183
Subject(s): Genre/Form: Additional physical formats: Print version:: Burying the beloved.DDC classification:
  • 891/.5509003 22
LOC classification:
  • PK6423 .M68 2012eb
Online resources:
Contents:
Introduction : burying the past : Iranian modernity's marriage to realism -- Dismembering and re-membering the beloved : how the Civil Code remade marriage and marriage remade love -- Wedding or funeral? : the Family Protection Act and the bride's consent -- Ain't I a woman? : domesticity's other -- Exhuming the beloved, revising the past : lawlessness and postmodernism -- A metaphor for civil society? : marriage and "rights talk" in the Khtamī period -- Conclusion : a severed head? : Iranian literary modernity in transnational context.
Summary: This title reveals how novels mediate legal reforms and examines how authors have used realism to challenge and re-imagine notions of 'the real'. The book explores seminal works that foreground acute anxieties about female subjectivity in an Iran negotiating its modernity.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Introduction : burying the past : Iranian modernity's marriage to realism -- Dismembering and re-membering the beloved : how the Civil Code remade marriage and marriage remade love -- Wedding or funeral? : the Family Protection Act and the bride's consent -- Ain't I a woman? : domesticity's other -- Exhuming the beloved, revising the past : lawlessness and postmodernism -- A metaphor for civil society? : marriage and "rights talk" in the Khtamī period -- Conclusion : a severed head? : Iranian literary modernity in transnational context.

This title reveals how novels mediate legal reforms and examines how authors have used realism to challenge and re-imagine notions of 'the real'. The book explores seminal works that foreground acute anxieties about female subjectivity in an Iran negotiating its modernity.

English.

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