Fluid screens, expanded cinema / edited by Janine Marchessault and Susan Lord.

Includes bibliographical references (pages 327-340) and index.

Multi-screens and future cinema: the labyrinth project at Expo 67 / Janine Marchessault -- Sounds complicated: what sixties audio experiments can teach us about the new media environments / Stephen Crocker -- The networked screen: moving images, materiality, and the aesthetics of size / Haidee Wasson -- The 'iterative circle': transformation of web narrative in Amika / Sheila Petty -- Handcrank that globalism: a digi-dialogue / Abigail Child -- From photography to imography: new media as metaphor / Ron Burnett -- Feminist digital aesthetics: the everyday and yesterday / Caitlin Fisher -- The sight of sound: The last angel of history / Rinaldo Walcott -- History and histrionics: vision machine's digital poetics / Michael Uwemedimo, Joshua Oppenheimer -- From sequence to stream: historiography and media art / Susan Lorn -- The birth of tragedy in digital aesthetics / Glen Willmott -- Armed vision and the banalization of war: Full Spectrum warrior / Nick Dyer-Witheford, Greig de Peuter -- The dialectics of Canadian film labour: technology, globalization, nation / John McCullough -- Screening the call: cell phones, activism, and the art of connection / Kirsty Robertson -- Immigrant semiosis / Laura U. Marks -- Precepts for digital artwork / Sean Cubitt -- Afterward: what we must do / Gene Youngblood.

"This book considers the shift from traditional cinema to new frontiers of interactive, performative, and networked media. Using the theories of Marshall McLuhan and Gilles Deleuze as a starting point, renowned scholars explore the way in which digital technology is transforming contemporary visual culture."--Book jacket.

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