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Musical theatre, realism and entertainment / Millie Taylor.

By: Material type: TextTextSeries: Ashgate interdisciplinary studies in operaPublication details: Farnham, Surrey, England ; Burlington Vt. : Ashgate, ©2012.Description: 1 online resource (viii, 194 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781409438328
  • 1409438325
  • 9786613367839
  • 6613367834
  • 1317091361
  • 9781317091363
  • 1317091353
  • 9781317091356
  • 1283367831
  • 9781283367837
Other title:
  • Musical theater, realism and entertainment
Subject(s): Genre/Form: Additional physical formats: Print version:: Musical theatre, realism and entertainment.DDC classification:
  • 792.6 23
LOC classification:
  • ML2054 .T39 2012eb
Other classification:
  • AP 72800
  • LR 54130
  • 9,2
Online resources:
Contents:
Musical characterisation in HMS Pinafore and the Rocky horror show -- Encoding the voice : Show boat, Guys and dolls, and musical theatre post-1960 -- Integration and distance in musical theatre : the case of Sweeney Todd -- Layers of representation and the creation of irony : Aufstieg und Fall der Stadt Mahagonny, Merrily we roll along and The last 5 years -- Alternatives to linearity : Cabaret, Kiss of the spider woman and Assassins -- Illusions of realism in West Side story and actor-musician performances -- Experiencing live musical theatre performance : La Cage aux Folles and Priscilla, queen of the desert -- I've heard that song before : the jukebox musical and entertainment in The Jersey boys, Rock of ages, Mamma mia and We will rock you.
Summary: In Musical Theatre, Realism and Entertainment, Millie Taylor explores the ways in which musical theatre reaches out to and involves its audiences. Taylor investigates how pleasure is stimulated by vocal, musical and spectacular performances.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 173-185) and index.

Musical characterisation in HMS Pinafore and the Rocky horror show -- Encoding the voice : Show boat, Guys and dolls, and musical theatre post-1960 -- Integration and distance in musical theatre : the case of Sweeney Todd -- Layers of representation and the creation of irony : Aufstieg und Fall der Stadt Mahagonny, Merrily we roll along and The last 5 years -- Alternatives to linearity : Cabaret, Kiss of the spider woman and Assassins -- Illusions of realism in West Side story and actor-musician performances -- Experiencing live musical theatre performance : La Cage aux Folles and Priscilla, queen of the desert -- I've heard that song before : the jukebox musical and entertainment in The Jersey boys, Rock of ages, Mamma mia and We will rock you.

Print version record.

In Musical Theatre, Realism and Entertainment, Millie Taylor explores the ways in which musical theatre reaches out to and involves its audiences. Taylor investigates how pleasure is stimulated by vocal, musical and spectacular performances.

English.

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