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Reading the Ruins : Modernism, Bombsites and British Culture.

By: Material type: TextTextPublication details: Cambridge : Cambridge University Press, 2011.Description: 1 online resource (258 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781139137959
  • 1139137956
  • 1283316781
  • 9781283316781
  • 9781139145282
  • 1139145282
  • 9780511920813
  • 0511920814
  • 1139140213
  • 9781139140218
  • 1107222095
  • 9781107222090
  • 1139139509
  • 9781139139502
  • 9786613316783
  • 6613316784
  • 1139141082
  • 9781139141086
  • 1139141961
  • 9781139141963
Subject(s): Genre/Form: Additional physical formats: Print version:: Reading the Ruins : Modernism, Bombsites and British Culture.DDC classification:
  • 820.9 820.9/0091 820.90091
LOC classification:
  • PR888.W66 M45 2011
Other classification:
  • LIT004120
Online resources:
Contents:
Cover; Title; Copyright; Dedication; Contents; Illustrations; Acknowledgements; Introduction; Chapter 1 Imagining destruction; Beautiful bomb-laden Zeppelins; The interwar imagination; Unrest in the wake of bombs; Extrapolation of weapons; Lessons of Spain; Depicting casualties; 1939 and all that; Episodic losses of perspective; Targets and narrative; A bomb casualty or war avenger?; Bone as bomb victim; Chapter 2 A metropolis aflame; William Sansom and disorientation; Time was away; Allegory and physicality; Bodies, various; Louis MacNeice and complicity; Trolls in the smoke.
Aesthetics of destructionHenry Green: fire and the limits of description; Framing fire; Dreading forwards; Telling stories; Elegiac possibilities; Elegies from fire; Encounters in the flames; Ash and paper; Ritual and redemption?; Fire and paper; Chapter 3 Surrealism and the bombsites; Pre-war surrealism in Britain; The organicist turn; Wartime is 'surreal'; Turning fragments into structures: David Gascoyne and J.F. Hendry; Zero hour and no man's land; Back to the bombsites; Apocalyptics; J.F. Hendry; From Guernica to London; The limits of a dialectic.
Organic sensations: Graham Sutherland and Lynette RobertsSwansea raid; Sensations from the body and the air; War pictures; A war artist; Captions and anger: Lee Miller and Humphrey Jennings; Grim glory; Anger and the human form; Jennings in the 1930s; London Can Take it; Decodable patriotism; Ballardian legacies; Chapter 4 The haunted city; Graham Greene and the idea of haunting; Ruins and amnesia; Ghosting treason: damaged buildings; David Jones: making your own archaeology; Jones and the ghosts of wars; Traces, textures and expansiveness; Ghosts in the footnotes; Acts of recovery.
Bowen's ghostsThe territory of the city; Shallow, cratered, extinct; Buried memories; Chapter 5 The new London jungle; Precursors and portents; Mundanity and willowherb; Rose Macaulay's history of fears; London as a green world; Greenery; Priests in the foliage; Fireweed rampant; What the plants hide; War games; Shapes of the past; Literary salvage; The modernist fragment displayed; Postwar pleasures and fears; Triffids in the unofficial countryside; The environmental turn, postmodernity, and back to the bombsite; Coda; Notes; Bibliography; Index.
Summary: This vivid reading of wartime culture investigates the significance of London's bombsites by bringing together famous and forgotten authors.
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Cover; Title; Copyright; Dedication; Contents; Illustrations; Acknowledgements; Introduction; Chapter 1 Imagining destruction; Beautiful bomb-laden Zeppelins; The interwar imagination; Unrest in the wake of bombs; Extrapolation of weapons; Lessons of Spain; Depicting casualties; 1939 and all that; Episodic losses of perspective; Targets and narrative; A bomb casualty or war avenger?; Bone as bomb victim; Chapter 2 A metropolis aflame; William Sansom and disorientation; Time was away; Allegory and physicality; Bodies, various; Louis MacNeice and complicity; Trolls in the smoke.

Aesthetics of destructionHenry Green: fire and the limits of description; Framing fire; Dreading forwards; Telling stories; Elegiac possibilities; Elegies from fire; Encounters in the flames; Ash and paper; Ritual and redemption?; Fire and paper; Chapter 3 Surrealism and the bombsites; Pre-war surrealism in Britain; The organicist turn; Wartime is 'surreal'; Turning fragments into structures: David Gascoyne and J.F. Hendry; Zero hour and no man's land; Back to the bombsites; Apocalyptics; J.F. Hendry; From Guernica to London; The limits of a dialectic.

Organic sensations: Graham Sutherland and Lynette RobertsSwansea raid; Sensations from the body and the air; War pictures; A war artist; Captions and anger: Lee Miller and Humphrey Jennings; Grim glory; Anger and the human form; Jennings in the 1930s; London Can Take it; Decodable patriotism; Ballardian legacies; Chapter 4 The haunted city; Graham Greene and the idea of haunting; Ruins and amnesia; Ghosting treason: damaged buildings; David Jones: making your own archaeology; Jones and the ghosts of wars; Traces, textures and expansiveness; Ghosts in the footnotes; Acts of recovery.

Bowen's ghostsThe territory of the city; Shallow, cratered, extinct; Buried memories; Chapter 5 The new London jungle; Precursors and portents; Mundanity and willowherb; Rose Macaulay's history of fears; London as a green world; Greenery; Priests in the foliage; Fireweed rampant; What the plants hide; War games; Shapes of the past; Literary salvage; The modernist fragment displayed; Postwar pleasures and fears; Triffids in the unofficial countryside; The environmental turn, postmodernity, and back to the bombsite; Coda; Notes; Bibliography; Index.

This vivid reading of wartime culture investigates the significance of London's bombsites by bringing together famous and forgotten authors.

Print version record.

Includes bibliographical references and index.

English.

eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - Worldwide

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