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Berlin cabaret / Peter Jelavich.

By: Material type: TextTextSeries: Studies in cultural historyPublication details: Cambridge, Mass. : Harvard University Press, 1993.Description: 1 online resource (xii, 322 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780674039131
  • 0674039130
Subject(s): Genre/Form: Additional physical formats: Print version:: Berlin cabaret.DDC classification:
  • 792.7/09431/55 20
LOC classification:
  • PN1968.G3 J45 1993
Other classification:
  • 24.23
Online resources:
Contents:
Preface -- Contents -- Introduction -- 1. Cabaret as Metropolitan Montage -- Berlin: Cosmopolitan Life, Consumerism, and Montage -- Variety Shows and Nietzschean Vitalism -- Berlin Wit: Laughter and Censorship -- 2. Between Elitism and Entertainment: Wolzogen�s Motley Theater -- The Premiere of the Motley Theater -- Critics and Competitors -- New Theater, Rapid Demise -- 3. From Artistic Parody to Theatrical Renewal: Reinhardt�s Sound and Smoke -- Theatrical Parody for Connoisseurs -- A Temporary Turn to Political Satire: Serenissimus
The Path to a New Theatricality4. Cosmopolitan Diversions, Metropolitan Identities -- Policing the Pub-Cabarets -- Two Sides of Metropolitan Cabaret: Rudolf Nelson and Claire Waldoff -- Fashioning Berlin: The Metropol Revues -- 5. Political Satire in the Early Weimar Republic -- Nationalism in Wartime and Postwar Entertainment -- Limitations of Republican Satire: Kurt Tucholsky -- Dada and Metropolitan Tempo: Walter Mehring -- 6. The Weimar Revue -- The Americanization of Entertainment: Jazz and Black Performers -- “Girls and Crisis�
7. Political Cabaret at the End of the RepublicThe Politics of Revues and Cabaret-Revues -- Cabaret and the Crises of the Late Republic -- Red Revues and Agitprop -- 8. Cabaret under National Socialism -- The Suppression of Critical Cabaret -- From “Positive Cabaret� to Total Depoliticization -- Only the “Girls� Remain -- Epilogue: Cabaret in Concentration Camps -- Notes -- Index
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  • digitized 2011 HathiTrust Digital Library committed to preserve
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Includes bibliographical references (pages 285-315) and index.

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Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2011. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

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Print version record.

Preface -- Contents -- Introduction -- 1. Cabaret as Metropolitan Montage -- Berlin: Cosmopolitan Life, Consumerism, and Montage -- Variety Shows and Nietzschean Vitalism -- Berlin Wit: Laughter and Censorship -- 2. Between Elitism and Entertainment: Wolzogen�s Motley Theater -- The Premiere of the Motley Theater -- Critics and Competitors -- New Theater, Rapid Demise -- 3. From Artistic Parody to Theatrical Renewal: Reinhardt�s Sound and Smoke -- Theatrical Parody for Connoisseurs -- A Temporary Turn to Political Satire: Serenissimus

The Path to a New Theatricality4. Cosmopolitan Diversions, Metropolitan Identities -- Policing the Pub-Cabarets -- Two Sides of Metropolitan Cabaret: Rudolf Nelson and Claire Waldoff -- Fashioning Berlin: The Metropol Revues -- 5. Political Satire in the Early Weimar Republic -- Nationalism in Wartime and Postwar Entertainment -- Limitations of Republican Satire: Kurt Tucholsky -- Dada and Metropolitan Tempo: Walter Mehring -- 6. The Weimar Revue -- The Americanization of Entertainment: Jazz and Black Performers -- “Girls and Crisis�

7. Political Cabaret at the End of the RepublicThe Politics of Revues and Cabaret-Revues -- Cabaret and the Crises of the Late Republic -- Red Revues and Agitprop -- 8. Cabaret under National Socialism -- The Suppression of Critical Cabaret -- From “Positive Cabaret� to Total Depoliticization -- Only the “Girls� Remain -- Epilogue: Cabaret in Concentration Camps -- Notes -- Index

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