Popular Music and Human Rights : (Two-volume set).
Material type: TextSeries: Ashgate popular and folk music seriesPublication details: Farnham : Ashgate Pub., 2011.Description: 1 online resource (440 pages)Content type:- text
- computer
- online resource
- 9781409437581
- 1409437582
- 1409464067
- 9781409464068
- 1283158329
- 9781283158329
- 9786613158321
- 6613158321
- Popular music -- Social aspects
- Popular music -- Social aspects -- Great Britain
- Popular music -- Social aspects -- United States
- Human rights
- Musique populaire -- Aspect social
- Musique populaire -- Aspect social -- Grande-Bretagne
- Musique populaire -- Aspect social -- États-Unis
- Droits de l'homme (Droit international)
- MUSIC -- Genres & Styles -- Pop Vocal
- Human rights
- Popular music -- Social aspects
- Great Britain
- United States
- Music
- Music, Dance, Drama & Film
- Music Philosophy
- 781.64/1599
- ML3918.P67P66 2011
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
V.I. British and American music -- v. II. World music.
Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion, with human rights currently being violated all over the world, a new and sustained examination of cultural responses to such issues is warranted. In this respect music, which is always produced in a social context, is an extremely useful medium; in it.
Print version record.
English.
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