Dancing word : an embodied approach to the preparation of performers and the composition of performances / Daniel Mroz.

By:

Mroz, Daniel

Material type: Text

TextSeries: Consciousness, literature & the arts ; 30.Publication details: Amsterdam : Rodopi, 2011.Description: 1 online resource (219 pages) : illustrationsContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9789401200264
9401200262
9042033304
9789042033306

Subject(s): Genre/Form:

Additional physical formats: Dancing word.DDC classification:

796.8 23

LOC classification:

GV1594 .M76 2011eb

Online resources:

Click here to access online

Contents:

Beginnings in Embodied Learning -- Chinese Martial Arts -- Principles of Performer Preparation -- Principles of Performance Composition -- Practice of Preparation and Composition -- Performance Pedagogy in Practice -- Martial Movement Training and Consciousness.

Summary: "The product of over eighteen years of embodied research by the author, The Dancing Word presents a systemic and phenomenological description of a contemporary intercultural theatre practice. This volume offers a blueprint for both training and collaborative performance creation that integrates the best of western laboratory theatre with the practice and ontological underpinnings of Chinese martial (Wushu) and healing/self care (Qigong) arts. This is a book for theatre practitioners, students, scholars, and those interested in exploring transcultural methodologies."--Provided by publisher.

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Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references.

"The product of over eighteen years of embodied research by the author, The Dancing Word presents a systemic and phenomenological description of a contemporary intercultural theatre practice. This volume offers a blueprint for both training and collaborative performance creation that integrates the best of western laboratory theatre with the practice and ontological underpinnings of Chinese martial (Wushu) and healing/self care (Qigong) arts. This is a book for theatre practitioners, students, scholars, and those interested in exploring transcultural methodologies."--Provided by publisher.

Print version record.

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