Roman Ingarden's Ontology and Aesthetics.

By:

Mitsecherling, Jeff

Material type: Text

TextSeries: Collection Philosophica ; v. 49.Publication details: Ottawa : University of Ottawa Press, 1997.Description: 1 online resource (244 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780776616889
0776616889

Subject(s): Genre/Form:

Additional physical formats: Print version:: Roman Ingarden's Ontology and Aesthetics.DDC classification:

199/.438

LOC classification:

B4691.I534M57 1996

Online resources:

Click here to access online

Contents:

Foreword; Preface and Acknowledgments; Introduction; Chapter One: A Sketch of Ingarden's Life, Career, and Works; Chapter Two: Ingarden's Interpretation of Husserl; Chapter Three: Controversy Over the Existence of the World; Chapter Four: The Literary Work of Art; Chapter Five: Ingarden's Analyses of Other Sorts of Artworks; Chapter Six: Ingarden and Contemporary Aesthetics; Bibliography of Works Cited; Index of Subjects; Index of Proper Names.

Summary: A leading Polish philosopher of the 20th century, Roman Ingarden is principally renowned in Western culture for his work in aesthetics and the theory of literature. Jeff Mitscherling demonstrates, in this extensive work, how Ingarden's thought constitutes a major contribution to the more fundamental fields of ontology and metaphysics. Unparalleled in existing literature, Mitscherling's comprehensive survey of Ingarden's philosophy will give the reader an informed introduction to this major work of phenomenological analysis.

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A leading Polish philosopher of the 20th century, Roman Ingarden is principally renowned in Western culture for his work in aesthetics and the theory of literature. Jeff Mitscherling demonstrates, in this extensive work, how Ingarden's thought constitutes a major contribution to the more fundamental fields of ontology and metaphysics. Unparalleled in existing literature, Mitscherling's comprehensive survey of Ingarden's philosophy will give the reader an informed introduction to this major work of phenomenological analysis.