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The beautiful and damned / F. Scott Fitzgerald ; edited with an introduction and notes by Alan Margolies.

By: Contributor(s): Material type: TextTextSeries: Oxford world's classics (Oxford University Press)Publication details: Oxford ; New York : Oxford University Press, ©1998.Description: 1 online resource (xxxvi, 359 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780191610516
  • 0191610518
  • 9780191611056
  • 0191611050
Subject(s): Genre/Form: Additional physical formats: Print version:: Beautiful and damned.DDC classification:
  • 813/.52 23
LOC classification:
  • PS3511.I9 B4 1998eb
Online resources:
Contents:
Cover; Contents; Introduction; Note on the Text; Select Bibliography; A Chronology of F. Scott Fitzgerald; THE BEAUTIFUL AND DAMNED; Explanatory Notes.
Summary: T̀he victor belongs to the spoils.' Fitzgerald's ironic epigraph to The Beautiful and Damned exemplifies his attitude toward the young rootless post-World War One generation who believed life to be meaningless and who pursued wealth despite its corrosive effect. Gloria and Anthony Patch party until money runs out; then their goal becomes Adam Patch's fortune. Gloria's beauty fades and Anthony's drinking takes its horrible toll. Fitzgerald here once again displays a wariness of the upper classes, àn abiding distrust, an animosity, toward the leisure class - not the conviction of a revolutionist.
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Includes bibliographical references (pages xxviii-xxxi) and index.

Print version record.

Cover; Contents; Introduction; Note on the Text; Select Bibliography; A Chronology of F. Scott Fitzgerald; THE BEAUTIFUL AND DAMNED; Explanatory Notes.

T̀he victor belongs to the spoils.' Fitzgerald's ironic epigraph to The Beautiful and Damned exemplifies his attitude toward the young rootless post-World War One generation who believed life to be meaningless and who pursued wealth despite its corrosive effect. Gloria and Anthony Patch party until money runs out; then their goal becomes Adam Patch's fortune. Gloria's beauty fades and Anthony's drinking takes its horrible toll. Fitzgerald here once again displays a wariness of the upper classes, àn abiding distrust, an animosity, toward the leisure class - not the conviction of a revolutionist.

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