Choreographing difference : the body and identity in contemporary dance / Ann Cooper Albright.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9780819569912
- 0819569917
- Modern dance -- Social aspects
- Modern dance -- Psychological aspects
- Body image
- Identity (Psychology)
- Sex in dance
- Body Image
- Image du corps
- Identité (Psychologie)
- Sexualité dans la danse
- PERFORMING ARTS -- Dance -- Modern
- PERFORMING ARTS -- Dance -- Classical & Ballet
- PERFORMING ARTS -- Dance -- Reference
- Body image
- Identity (Psychology)
- Modern dance -- Psychological aspects
- Modern dance -- Social aspects
- Sex in dance
- Dans
- Lichamelijkheid
- Identiteit
- 792.8 22
- GV1588.6 .A43 1997eb
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 205-210) and index.
Mining the dancefield: feminist theory and contemporary dance -- Techno bodies: muscling with gender in contemporary dance -- Moving across difference: dance and disability -- Incalculable choreographies -- Dancing bodies and the stories they tell -- Embodying history: epic narrative and cultural identity in african-american dance.
"The choreographies of Bill T. Jones, Cleveland Ballet Dancing Wheels, Zab Maboungou, David Dorfman, Marie Chouinard, Jawole Willa Jo Zollar, and others, have helped establish dance as a crucial discourse of the 90s. These dancers, Ann Cooper Albright argues, are asking the audience to see the body as a source of cultural identity - a physical presence that moves with and through its gendered, racial, and social meanings. Though her articulate and nuanced analysis of contemporary choreography, Albright shows how the dancing body shifts conventions of representation and provides a critical example of the dialectical relationship between cultures and the bodies that inhabited them. As a dancer, feminist, and philosopher, Albright turns to the material experience of bodies, not just the body as a figure or metaphor, to understand how cutural representation becomes embedded in the body. In arguing for the intelligence of bodies, Choreographing Difference is itself a testimonial, giving voice to some important political, moral, and artistic questions of our time."--Jacket
Print version record.
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