Amazon cover image
Image from Amazon.com

Egg polisher and other tales / Funwi F. Ayuninjam.

By: Material type: TextTextPublication details: Bamenda, Cameroon : Langaa, ©2010.Description: 1 online resource (viii, 92 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9789956579617
  • 9956579610
  • 9956578908
  • 9789956578900
Subject(s): Genre/Form: Additional physical formats: Print version:: Egg polisher and other tales.DDC classification:
  • 398.2096711 23
LOC classification:
  • GR351 .A98 2010eb
Online resources:
Contents:
The cricket roaster -- Abanda, the village menace I (or how the bush fowl came to have red marks) -- The songbird and the hunter (or how a bird and a dog enriched a family) -- The tadpole fisher (or the woman who preferred tadpoles to her daughter) -- Abanda, the village menace II -- The egg polisher (or how a water buffalo lost her eggs and a chief his life) -- A wife's man -- The farmer and the apes -- Dibong, the jealous friend -- Revenge of the coaster (or how a witch took advantage of a helpless woman) -- The farmer and the cannibal -- The search for Mr. Handsome -- The tortoise and the chief (or how the tortoise gained respect as the most intelligent of animals) -- The uncooperative sons -- The farmer and the goat herder -- The cocoyam farmer who accepted payment in flesh.
Summary: This collection represents, in substance and style, folk tradition in the North-West Region of Cameroon. Contained herein is a sampling of various human emotions, parental concerns, and societal conflicts: emotional insecurity, deceit, obstinacy, power and control, trickery, malevolence, greed, jealousy and more. The stylistic representation is reflected in the double writing, as shown by the dialogues, the songs, and the use of choruses. These tales are ageless, placeless and, therefore, anonymous; yet they are also the collective wisdom of a people who are supposed once to have walked the planet and communed with other animals and non-animals on the same terms. That is how humans, animals, vegetation, water and hills/mountains are equally animate and have linguistic expression for their thoughts and sentiments. Folktales served primarily as entertainment, and also as a convenient way of teaching history and culture, and they invariably promoted good listening and speaking skills in the vernacular language as children learned to model the rhetorical patterns of their adult folklorists' with children taking turns night after night till they had gone full circle and then started recounting the same tales over. While the morale of some of the tales is obvious, that of other tales is not; and that, again, is typical both of the traditional mind set and of the educational backdrop of storytelling.
Item type:
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Home library Collection Call number Materials specified Status Date due Barcode
Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Print version record.

The cricket roaster -- Abanda, the village menace I (or how the bush fowl came to have red marks) -- The songbird and the hunter (or how a bird and a dog enriched a family) -- The tadpole fisher (or the woman who preferred tadpoles to her daughter) -- Abanda, the village menace II -- The egg polisher (or how a water buffalo lost her eggs and a chief his life) -- A wife's man -- The farmer and the apes -- Dibong, the jealous friend -- Revenge of the coaster (or how a witch took advantage of a helpless woman) -- The farmer and the cannibal -- The search for Mr. Handsome -- The tortoise and the chief (or how the tortoise gained respect as the most intelligent of animals) -- The uncooperative sons -- The farmer and the goat herder -- The cocoyam farmer who accepted payment in flesh.

This collection represents, in substance and style, folk tradition in the North-West Region of Cameroon. Contained herein is a sampling of various human emotions, parental concerns, and societal conflicts: emotional insecurity, deceit, obstinacy, power and control, trickery, malevolence, greed, jealousy and more. The stylistic representation is reflected in the double writing, as shown by the dialogues, the songs, and the use of choruses. These tales are ageless, placeless and, therefore, anonymous; yet they are also the collective wisdom of a people who are supposed once to have walked the planet and communed with other animals and non-animals on the same terms. That is how humans, animals, vegetation, water and hills/mountains are equally animate and have linguistic expression for their thoughts and sentiments. Folktales served primarily as entertainment, and also as a convenient way of teaching history and culture, and they invariably promoted good listening and speaking skills in the vernacular language as children learned to model the rhetorical patterns of their adult folklorists' with children taking turns night after night till they had gone full circle and then started recounting the same tales over. While the morale of some of the tales is obvious, that of other tales is not; and that, again, is typical both of the traditional mind set and of the educational backdrop of storytelling.

eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - Worldwide

There are no comments on this title.

to post a comment.

O.P. Jindal Global University, Sonepat-Narela Road, Sonepat, Haryana (India) - 131001

Send your feedback to glus@jgu.edu.in

Hosted, Implemented & Customized by: BestBookBuddies   |   Maintained by: Global Library