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The battle of the styles : society, culture and the design of the new foreign office, 1855-1861 / Bernard Porter.

By: Material type: TextTextPublication details: London ; New York, NY : Continuum, ©2011.Description: 1 online resource (xviii, 234 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781441168726
  • 1441168729
  • 1283272091
  • 9781283272094
  • 9781441174734
  • 1441174737
Subject(s): Genre/Form: Additional physical formats: Print version:: Battle of the styles.DDC classification:
  • 725/.12/0942132 22
LOC classification:
  • NA4287.L6 P67 2011eb
Online resources:
Contents:
Illustrations; Preface; 1 The Battle Joined; 2 A Hybrid Society; 3 Early Skirmishes; 4 A Grand and National Work; 5 Worthy of our Imperial City; 6 The Lamp of Morality; 7 An Architecture for our Age; 8 Not the Most Interesting Public Question of the Day; 9 A Change for the Worse.
Summary: The present-day Foreign Office in Whitehall is an imposing building whose genesis is bizarre. In 1857 a competition was held to pick an architect, which provoked a huge row between the rival 'Classical' and 'Gothic' schools, which a 'Goth' (George Gilbert Scott) won but was then forced to re-design in Classical. The circumstances surrounding this fiasco furnish the starting-point for this book; which then goes on to analyse the debate that preceded this decision, for the light it sheds on the complex nature of British culture and society then. Among issues raise were contemporary and conflicting understandings of Britain's (or England's) national and imperial identities; of religion and morality; of history, 'modernity' and 'progress'; and of class and gender. The debate offers an unusual insight into the relationship between all these matters and 'high culture' generally. This account of it should be of great value to cultural and social historians, as well as to any architectural historians interested in the broader historical context surrounding this and other great monuments of the time.
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Includes bibliographical references (pages 206-226) and index.

Print version record.

The present-day Foreign Office in Whitehall is an imposing building whose genesis is bizarre. In 1857 a competition was held to pick an architect, which provoked a huge row between the rival 'Classical' and 'Gothic' schools, which a 'Goth' (George Gilbert Scott) won but was then forced to re-design in Classical. The circumstances surrounding this fiasco furnish the starting-point for this book; which then goes on to analyse the debate that preceded this decision, for the light it sheds on the complex nature of British culture and society then. Among issues raise were contemporary and conflicting understandings of Britain's (or England's) national and imperial identities; of religion and morality; of history, 'modernity' and 'progress'; and of class and gender. The debate offers an unusual insight into the relationship between all these matters and 'high culture' generally. This account of it should be of great value to cultural and social historians, as well as to any architectural historians interested in the broader historical context surrounding this and other great monuments of the time.

Illustrations; Preface; 1 The Battle Joined; 2 A Hybrid Society; 3 Early Skirmishes; 4 A Grand and National Work; 5 Worthy of our Imperial City; 6 The Lamp of Morality; 7 An Architecture for our Age; 8 Not the Most Interesting Public Question of the Day; 9 A Change for the Worse.

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