Overal Vincent : de (inter)nationale identiteiten van Van Gogh / Rachel Esner, Margriet Schavemaker (red.).

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Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9789048511945
9048511941
9089641971
9789089641977

Other title:

(Inter)nationale identiteiten van Van Gogh

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Additional physical formats: Print version:: Overal Vincent.DDC classification:

709 22

LOC classification:

NX554 .O94 2010eb

Online resources:

Click here to access online

Contents:

Inhoud; Inleiding. Rachel Esner en Margriet Schavemaker; Van Gogh en de nationale canon van de Nederlandse geschiedenis Christine Delhaye; Jonge neger bij dageraad Van Gogh en Barack Obama in een gedicht van Derek Walcott Thijs Weststeijn; Van Gogh was een Marokkan Fouad Laroui; Geschiedenis versus mythologie hoe Nederlands is Van Gogh? Griselda Pollock; Waar zijn de schoenen? Katherine Chandler; Van Gogh als exportproduct van het Stedelijk Museum 1945-1973 Caroline Roodenburg-Schadd; Gevangen door Hollywood? Van Gogh in de massamedia Margriet Schavemaker.

Summary: Was Vincent van Gogh a Dutchman? A Frenchman? Or perhaps even an American, Japanese, Antillean or Moroccan? Since his death at the end of the nineteenth century, this world-famous artist has been "naturalized" by the inhabitants of the most diverse countries and territories. The anthology Vincent Everywhere subjects these nationalising tendencies to the critical gaze of (art) historians, sociologists, philosophers and writers. It takes the reader on a journey that begins in the Netherlands of today, starting with Van Gogh's incorporation into the now-official canon of Dutch history.

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Includes bibliographical references.

Was Vincent van Gogh a Dutchman? A Frenchman? Or perhaps even an American, Japanese, Antillean or Moroccan? Since his death at the end of the nineteenth century, this world-famous artist has been "naturalized" by the inhabitants of the most diverse countries and territories. The anthology Vincent Everywhere subjects these nationalising tendencies to the critical gaze of (art) historians, sociologists, philosophers and writers. It takes the reader on a journey that begins in the Netherlands of today, starting with Van Gogh's incorporation into the now-official canon of Dutch history.

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