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Soul music : tracking the spiritual roots of pop from Plato to Motown / by Joel Rudinow.

By: Material type: TextTextSeries: Tracking popPublisher: Ann Arbor : University of Michigan Press, c2010Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780472022793
  • 0472022792
  • 0472071084
  • 9780472071081
Subject(s): Genre/Form: Additional physical formats: Print version:: Soul musicDDC classification:
  • 781.6401 22
LOC classification:
  • ML3479
Online resources:
Contents:
What is soul? (And what is soul music?) -- The "Devil's music" (Can music be evil?) -- Between Saturday night and Sunday morning (The dark night of the soul) -- Blue notes and Greek philosophy (Pythagoras, Plato, and spiritual intonation) -- Bio-rhythms (From formalism to somaesthetics) -- Fake it till you feel it (Race, ethnicity, authenticity in performance) -- Speaking in tongues (Isn't this all too Straussian?) -- Music as a healing art (Music and medicine, body and soul).
Summary: "Exceptionally illuminating and philosophically sophisticated."--Ted Cohen, Professor of Philosophy, University of Chicago "In this audacious and long-awaited book, Joel Rudinow takes seriously a range of interrelated issues that most music theorizing is embarrassed to tackle. People often ask me about music and spirituality. With Soul Music, I can finally recommend a book that offers genuine philosophical insight into the topic."--Theodore Gracyk, Professor of Philosophy, Minnesota State University Moorhead The idea is as strange as it is commonplace--that the "soul" in soul music is more than just a name, that somehow the music truly taps into something essential rooted in the spiritual notion of the soul itself. Or is it strange? From the civil rights movement and beyond, soul music has played a key, indisputable role in moments of national healing. Of course, American popular music has long been embroiled in controversies over its spiritual purity (or lack thereof). But why? However easy it might seem to dismiss these ideas and debates as quaint and merely symbolic, they persist. In Soul Music: Tracking the Spiritual Roots of Pop from Plato to Motown, Joel Rudinow, a philosopher of music, takes these peculiar notions and exposes them to serious scrutiny. How, Rudinow asks, does music truly work upon the soul, individually and collectively? And what does it mean to say that music can be spiritually therapeutic or toxic? This illuminating, meditative exploration leads from the metaphysical idea of the soul to the legend of Robert Johnson to the philosophies of Plato and Leo Strauss to the history of race and racism in American popular culture to current clinical practices of music therapy. Joel Rudinow teaches in the Philosophy and Humanities Departments at Santa Rosa Junior College and is the coauthor of Invitation to Critical Thinking and the coeditor of Ethics and Values in the Information Age.
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Includes bibliographical references (pages 219-229), discography and filmography (pages 231-235), and index.

Description based on print version record and CIP data provided by publisher.

What is soul? (And what is soul music?) -- The "Devil's music" (Can music be evil?) -- Between Saturday night and Sunday morning (The dark night of the soul) -- Blue notes and Greek philosophy (Pythagoras, Plato, and spiritual intonation) -- Bio-rhythms (From formalism to somaesthetics) -- Fake it till you feel it (Race, ethnicity, authenticity in performance) -- Speaking in tongues (Isn't this all too Straussian?) -- Music as a healing art (Music and medicine, body and soul).

"Exceptionally illuminating and philosophically sophisticated."--Ted Cohen, Professor of Philosophy, University of Chicago "In this audacious and long-awaited book, Joel Rudinow takes seriously a range of interrelated issues that most music theorizing is embarrassed to tackle. People often ask me about music and spirituality. With Soul Music, I can finally recommend a book that offers genuine philosophical insight into the topic."--Theodore Gracyk, Professor of Philosophy, Minnesota State University Moorhead The idea is as strange as it is commonplace--that the "soul" in soul music is more than just a name, that somehow the music truly taps into something essential rooted in the spiritual notion of the soul itself. Or is it strange? From the civil rights movement and beyond, soul music has played a key, indisputable role in moments of national healing. Of course, American popular music has long been embroiled in controversies over its spiritual purity (or lack thereof). But why? However easy it might seem to dismiss these ideas and debates as quaint and merely symbolic, they persist. In Soul Music: Tracking the Spiritual Roots of Pop from Plato to Motown, Joel Rudinow, a philosopher of music, takes these peculiar notions and exposes them to serious scrutiny. How, Rudinow asks, does music truly work upon the soul, individually and collectively? And what does it mean to say that music can be spiritually therapeutic or toxic? This illuminating, meditative exploration leads from the metaphysical idea of the soul to the legend of Robert Johnson to the philosophies of Plato and Leo Strauss to the history of race and racism in American popular culture to current clinical practices of music therapy. Joel Rudinow teaches in the Philosophy and Humanities Departments at Santa Rosa Junior College and is the coauthor of Invitation to Critical Thinking and the coeditor of Ethics and Values in the Information Age.

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