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Shakespeare and literary theory / Jonathan Gil Harris.

By: Material type: TextTextSeries: Oxford Shakespeare topicsPublication details: Oxford ; New York : Oxford University Press, 2010.Description: 1 online resource (viii, 224 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780191576737
  • 0191576735
  • 9780199573394
  • 0199573395
  • 0199573387
  • 9780199573387
Subject(s): Genre/Form: Additional physical formats: Print version:: Shakespeare and literary theory.DDC classification:
  • 822.3/3 22
LOC classification:
  • PR2965 .H37 2010eb
Online resources:
Contents:
Introduction: Shakespeare and Theory; I. Language and Structure; II. Desire and Identity; III. Culture and Society; Further Reading; Works Cited; Index.
Summary: OXFORD SHAKESPEARE TOPICS General Editors: Peter Holland and Stanley Wells Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. How is it that the British literary critic Terry Eagleton can say that 'it is difficult to read Shakespeare without feeling that he was almost certainly familiar with the writings of Hegel, Marx, Nietzsche, Freud, Wittgenstein and Derrida', or that the Slovenian psych.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 213-218) and index.

Print version record.

Introduction: Shakespeare and Theory; I. Language and Structure; II. Desire and Identity; III. Culture and Society; Further Reading; Works Cited; Index.

OXFORD SHAKESPEARE TOPICS General Editors: Peter Holland and Stanley Wells Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. How is it that the British literary critic Terry Eagleton can say that 'it is difficult to read Shakespeare without feeling that he was almost certainly familiar with the writings of Hegel, Marx, Nietzsche, Freud, Wittgenstein and Derrida', or that the Slovenian psych.

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