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Sex and satiric tragedy in early modern England : penetrating wit / by Gabriel A. Rieger.

By: Material type: TextTextSeries: Studies in performance and early modern dramaPublication details: Farnham, England ; Burlington, VT : Ashgate, ©2009.Description: 1 online resource (147 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780754698791
  • 0754698793
  • 1409400298
  • 9781409400295
Subject(s): Genre/Form: Additional physical formats: Print version:: Sex and satiric tragedy in early modern England.DDC classification:
  • 822/.0512093538 22
LOC classification:
  • PR658.T7 R55 2009eb
Online resources:
Contents:
Introduction: Sex, stoicism, and satyre: the roots of satiric tragedy -- "You go not till I set you up a glass": the death of Elizabeth and the languages of gender -- "Deep ruts and foul sloughs": sexually descriptive language and the narrative of disease -- "I'll have my will": frustrated desire and commercial culture -- "I am worth no worse a place": service, subjugation, and satire -- Conclusion: erotic aggression and satiric tragedy.
Summary: Drawing upon recent scholarship in Renaissance studies regarding notions of the body, political, physical and social, this study examines how the satiric tragedians of the English Renaissance employ the languages of sex-including sexual slander, titillation, insinuation and obscenity - in the service of satiric aggression.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Introduction: Sex, stoicism, and satyre: the roots of satiric tragedy -- "You go not till I set you up a glass": the death of Elizabeth and the languages of gender -- "Deep ruts and foul sloughs": sexually descriptive language and the narrative of disease -- "I'll have my will": frustrated desire and commercial culture -- "I am worth no worse a place": service, subjugation, and satire -- Conclusion: erotic aggression and satiric tragedy.

Print version record.

Drawing upon recent scholarship in Renaissance studies regarding notions of the body, political, physical and social, this study examines how the satiric tragedians of the English Renaissance employ the languages of sex-including sexual slander, titillation, insinuation and obscenity - in the service of satiric aggression.

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