Impermanent structures : semiotic readings of Nelson Rodrigues' Vestido de noiva, Album de família, and Anjo negro / by Fred M. Clark.

By:

Clark, Fred M

Material type: Text

TextSeries: North Carolina studies in the Romance languages and literatures ; no. 238.Publication details: Chapel Hill : U.N.C. Dept. of Romance Languages : [Distributed by University of North Carolina Press], 1991.Description: 1 online resource (129 pages) : illustrationsContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781469642734
1469642735

Subject(s): Genre/Form:

Electronic books.

Additional physical formats: Print version:: Impermanent structures.DDC classification:

869.2 20

LOC classification:

PQ9697.R66 V434 1991
PC13 .N67 no.238

Online resources:

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digitized 2010 HathiTrust Digital Library committed to preserve

Summary: Fred M. Clark offers a semiotic analysis of three plays by Nelson Rodrigues, based in Charles S. Pierce's triadic concept of the sign: as sign, interpretant, and object, in regards to its production as perception and consciousness. Clark's use of this triad approach demonstrates the self-conscious plays of icons in Vestido de noiva, Album de familia, and Anjo negro, and offers a basis for the relevance of his conclusions to theatre at large. Based on this semiotic theory, Clark demonstrates the particular modes in which Nelson's theatre builds up fictional situations that transcend the pretense of the vanguard to become radically innovative and achieve a first-rate literary realization, equal of any occidental writer of the period. The author demonstrates the way in which Rodrigues dissects the difference between seeming and being, questioning the very notion of permanence and order.

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Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references (pages 124-129).

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Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

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Print version record.

Fred M. Clark offers a semiotic analysis of three plays by Nelson Rodrigues, based in Charles S. Pierce's triadic concept of the sign: as sign, interpretant, and object, in regards to its production as perception and consciousness. Clark's use of this triad approach demonstrates the self-conscious plays of icons in Vestido de noiva, Album de familia, and Anjo negro, and offers a basis for the relevance of his conclusions to theatre at large. Based on this semiotic theory, Clark demonstrates the particular modes in which Nelson's theatre builds up fictional situations that transcend the pretense of the vanguard to become radically innovative and achieve a first-rate literary realization, equal of any occidental writer of the period. The author demonstrates the way in which Rodrigues dissects the difference between seeming and being, questioning the very notion of permanence and order.

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