Musical signification : essays in the semiotic theory and analysis of music / edited by Eero Tarasti.

Includes bibliographical references and index.

Use copy Restrictions unspecified star MiAaHDL

Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL

Print version record.

Preface -- Theoretical approaches -- Method and system -- Toward a reinterpretation of compositional theory -- Music and antimetaphor -- The sign and music: A reflection on the theoretical bases of musical semiotics -- How philosophical characterizations of a musical work lose sight of the “music� and how it might be put back -- Interpretation and meaning in music -- Music and semantics -- The application of Hjelmslev�s glossematics to music -- The musical work as sign: Significative constituents, layers, structure

Asaf�ev and Tynianov: On some analogies between musicology and the study of literatureIntonation as a specific form of musical semiosis -- Musical intonation � language of intuition and logic: A contribution to the system of the semiotics of intonation in music -- Empirical studies -- “The voice of the heart�: A progressive semiosis on the interval of the sixth -- Pertinence in music -- Meaning and behavior patterns: The creation of meaning in interpreting and listening to music -- On the genesis of the musical sign

Art evolution in the light of brain asymmetry: A trial of empirical investigationA semio-psychological theory of communication in music -- Character and characterization in musical performance: Effects of sensory experience upon meaning -- Tempo deviations and musical signification: A case study -- The pitch of glide-like F0 curves in Votic folksongs -- The concept of hierarchy: A theoretical approach -- Musical pragmatics and computer modelling -- Some relationships between terminology, analytic strategies, and computational methodologies

Semiotic bases and computer assisted composition: Towards a cognitive modelExperiments on grammar-based analysis of music -- Analyses of musical styles and texts -- Metaphor in music -- Performative musical acts: The Verdian achievement -- Peirce�s “ground� and 19th-century Lieder -- The couples who remain: With reference to “Ici-bas� by Sully Prudhomme and Fauré -- “Apres un rîve�: A semiotic analysis of the song by Gabriel Fauré -- The problem of narrativity in the symphonic poem En saga by Jean Sibelius

Orchestration and form in Leos JanáÄ?ekâ€?s Concertino: An analysis of intratextural interaction“Music becomes languageâ€?: Narrative strategies in El cimarrón by Hans-Werner Henze -- Narrativity and electroacoustic music -- On the sound dimension of prehistoric painted caves and rocks -- The mythical in non-programmatic music -- The symbol of the tree in musical Jugendstil -- Aspects of the “Dance of Deathâ€? as a semiotic system -- Authors -- Index

English.

eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - Worldwide