Modern noise, fluid genres : popular music in Indonesia, 1997-2001 / Jeremy Wallach.

By:

Wallach, Jeremy

Material type: Text

TextSeries: New perspectives in Southeast Asian studiesPublication details: Madison, Wis. : University of Wisconsin Press, ©2008.Description: 1 online resource (xvi, 323 pages) : illustrationsContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780299229030
0299229033
0299229009
9780299229009
0299229041
9780299229047
1282594818
9781282594814
9786612594816
6612594810

Subject(s): Genre/Form:

Additional physical formats: Print version:: Modern noise, fluid genres.DDC classification:

781.6309598 22

LOC classification:

ML3502.I5 W35 2008eb

Other classification:

LS 45600

Online resources:

Click here to access online

Contents:

Machine generated contents note: Introduction: A Brief History of Popular Music and Society in Indonesia -- pt. 1 Sites -- 1. Indonesian Popular Music Genres in the Global Sensorium -- 2. In the City: Class, History, and Modernity's Failures -- 3. Cassette Retail Outlets: Organization, Iconography, Consumer Behavior -- 4. In the Studio: An Ethnography of Sound Production -- 5. On Location: Shooting Music Video Clips -- 6. Offstage: Music in Informal Contexts -- pt. 2 Genres in Performance -- 7. Onstage: The Live Musical Event -- 8. Dangdut Concerts: The Politics of Pleasure -- 9. Rock and Pop Events: The Performance of Lifestyle -- 10. Underground Music: Imagining Alternative Community -- Conclusion: Indonesian Youth, Music, and Globalization -- Appendix A Notes on Language in This Book -- Appendix B Other Indonesian Popular Music Genres -- Appendix C More on Nonstandard Speech Variants -- Glossary of Indonesian and Jakartanese Terms.

Action note:

digitized 2010 HathiTrust Digital Library committed to preserve

Summary: "This book is an ethnographic investigation of Indonesian popular music genres and their producers and listeners during a period of dramatic political and cultural transformation."--IntroductionSummary: "The book is divided into two parts. The first half examines the cultural dynamics of particular sites for the production, mediation, and reception of popular music, including record stores, recording studios, video shoots, roadside food stalls, and other public and private spaces where music is performed, consumed, discussed, and debated by Indonesians form all walks of life. The second half of the book investigates spectific live performance events as occasions when musical production, mediation, and reception processes occur simultaneously. The chapters in that half focus on three major youth-oriented popular music genre categories: dangdut, pop, and 'underground' rock."--Preface

Item type:

Tags from this library: No tags from this library for this title. Log in to add tags.

Average rating: 0.0 (0 votes)

Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Includes bibliographical references (pages 299-313) and index.

Print version record.

Use copy Restrictions unspecified star MiAaHDL

Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL

English.

"This book is an ethnographic investigation of Indonesian popular music genres and their producers and listeners during a period of dramatic political and cultural transformation."--Introduction

"The book is divided into two parts. The first half examines the cultural dynamics of particular sites for the production, mediation, and reception of popular music, including record stores, recording studios, video shoots, roadside food stalls, and other public and private spaces where music is performed, consumed, discussed, and debated by Indonesians form all walks of life. The second half of the book investigates spectific live performance events as occasions when musical production, mediation, and reception processes occur simultaneously. The chapters in that half focus on three major youth-oriented popular music genre categories: dangdut, pop, and 'underground' rock."--Preface

eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - Worldwide

There are no comments on this title.

to post a comment.