The Irish play on the New York stage, 1874-1966 / John P. Harrington.
Material type:
TextSeries: Irish literature, history, and culturePublication details: Lexington, Ky. : University Press of Kentucky, ©1997.Description: 1 online resource (192 pages) : illustrationsContent type: - text
- computer
- online resource
- 9780813149578
- 0813149576
- English drama -- Irish authors -- History and criticism
- English drama -- Irish authors -- Appreciation -- United States
- Theater -- New York (State) -- New York -- History -- 20th century
- Theater -- New York (State) -- New York -- History -- 19th century
- Public opinion -- New York (State) -- New York -- History
- Ireland -- Foreign public opinion, American
- Ireland -- Relations -- United States
- United States -- Relations -- Ireland
- Irish -- United States -- History
- Ireland -- In literature
- Théâtre anglais -- Auteurs irlandais -- Histoire et critique
- Théâtre anglais -- Auteurs irlandais -- Appréciation -- États-Unis
- Théâtre -- New York (État) -- New York -- Histoire -- 19e siècle
- Opinion publique -- New York (État) -- New York -- Histoire
- Irlande -- Relations -- États-Unis
- Irlande -- Dans la littérature
- PERFORMING ARTS -- Theater -- General
- SOCIAL SCIENCE -- Anthropology -- Cultural
- English drama -- Irish authors
- English drama -- Irish authors -- Appreciation
- Irish
- Literature
- Public opinion
- Public opinion, American
- International relations
- Theater
- Ireland
- New York (State) -- New York
- United States
- 1800-1999
- 792.9/5/09747109034 21
- PR8789 .H37 1997
- digitized 2010 HathiTrust Digital Library committed to preserve
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Includes bibliographical references (pages 166-179) and index.
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Print version record.
Cover; Title; Copyright; Contents; 1 Dion Boucicault, the Irish Play, and the Politics of Reconciliation; 2 The Bernard Shaw Cult, New York, 1905; 3 Synge's Playboy, the Irish Players, and the Anti-Irish Irish Players; 4 James Joyce Downtown; Illustrations; 5 Sean O'Casey and Within the Gates: The Irish Playwright Comes to New York; 6 Waiting for Godot in New York; 7 Brian Friel: Erin on Broadway; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y.
Over the years American -- especially New York -- audiences have evolved a consistent set of expectations for the ""Irish play."" Traditionally the term implied a specific subject matter, invariably rural and Catholic, and embodied a reductive notion of Irish drama and society. This view continues to influence the types of Irish drama produced in the United States today. By examining seven different opening nights in New York theaters over the course of the last century, John Harrington considers the reception of Irish drama on the American stage and explores the complex interplay between dram
English.
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