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A new sound in Hebrew poetry : poetics, politics, accent / Miryam Segal.

By: Material type: TextTextLanguage: English, Hebrew Original language: Hebrew Series: Jewish literature and culturePublication details: Bloomington ; Indianapolis : Indiana University Press, ©2010.Description: 1 online resource (xxi, 206 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780253003584
  • 025300358X
Subject(s): Genre/Form: Additional physical formats: Print version:: New sound in Hebrew poetry.DDC classification:
  • 492.4/152 22
LOC classification:
  • PJ4579 .S42 2010eb
Online resources:
Contents:
Preface; Acknowledgments; A Note on Transliteration; Introduction; 1. "Make Your School a Nation-State" Pedagogy and the Rise of the New Accent; 2. Representing a Nation in Sound Organic, Hybrid, and Synthetic Hebrews; 3. "Listening to Her Is Torture": The Menace of a Male Voice in a Woman's Body; 4. The Runaway Train and the Yiddish Kid Shlonsky's Double Inscription; Epilogue: The Conundrum of the National Poet; Appendix 1.; Appendix 2.; Notes; Bibliography; Index.
Summary: With scrupulous attention to landmark poetic texts and to educational and critical discourse in early 20th-century Palestine, Miryam Segal traces the emergence of a new accent to replace the Ashkenazic or European Hebrew accent in which almost all modern Hebrew poetry had been composed until the 1920s. Segal takes into account the broad historical, ideological, and political context of this shift, including the construction of a national language, culture, and literary canon; the crucial role of schools.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Contains Hebrew text with parallel English translation.

Preface; Acknowledgments; A Note on Transliteration; Introduction; 1. "Make Your School a Nation-State" Pedagogy and the Rise of the New Accent; 2. Representing a Nation in Sound Organic, Hybrid, and Synthetic Hebrews; 3. "Listening to Her Is Torture": The Menace of a Male Voice in a Woman's Body; 4. The Runaway Train and the Yiddish Kid Shlonsky's Double Inscription; Epilogue: The Conundrum of the National Poet; Appendix 1.; Appendix 2.; Notes; Bibliography; Index.

With scrupulous attention to landmark poetic texts and to educational and critical discourse in early 20th-century Palestine, Miryam Segal traces the emergence of a new accent to replace the Ashkenazic or European Hebrew accent in which almost all modern Hebrew poetry had been composed until the 1920s. Segal takes into account the broad historical, ideological, and political context of this shift, including the construction of a national language, culture, and literary canon; the crucial role of schools.

Print version record.

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