A new sound in Hebrew poetry : poetics, politics, accent / Miryam Segal.
Material type:![Text](/opac-tmpl/lib/famfamfam/BK.png)
- text
- computer
- online resource
- 9780253003584
- 025300358X
- Hebrew language -- Pronunciation -- History -- 20th century
- Hebrew poetry, Modern -- 20th century -- History and criticism
- Hebrew language -- Revival
- Poésie hébraïque moderne -- 20e siècle -- Histoire et critique
- FOREIGN LANGUAGE STUDY -- Hebrew
- Hebrew language -- Pronunciation
- Hebrew language -- Revival
- Hebrew poetry, Modern
- 1900-1999
- 492.4/152 22
- PJ4579 .S42 2010eb
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references and index.
Contains Hebrew text with parallel English translation.
Preface; Acknowledgments; A Note on Transliteration; Introduction; 1. "Make Your School a Nation-State" Pedagogy and the Rise of the New Accent; 2. Representing a Nation in Sound Organic, Hybrid, and Synthetic Hebrews; 3. "Listening to Her Is Torture": The Menace of a Male Voice in a Woman's Body; 4. The Runaway Train and the Yiddish Kid Shlonsky's Double Inscription; Epilogue: The Conundrum of the National Poet; Appendix 1.; Appendix 2.; Notes; Bibliography; Index.
With scrupulous attention to landmark poetic texts and to educational and critical discourse in early 20th-century Palestine, Miryam Segal traces the emergence of a new accent to replace the Ashkenazic or European Hebrew accent in which almost all modern Hebrew poetry had been composed until the 1920s. Segal takes into account the broad historical, ideological, and political context of this shift, including the construction of a national language, culture, and literary canon; the crucial role of schools.
Print version record.
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