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Black hunger : food and the politics of U.S. identity / Doris Witt.

By: Material type: TextTextSeries: Race and American culturePublication details: New York : Oxford University Press, 1999.Description: 1 online resource (xii, 292 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 1602561621
  • 9781602561625
  • 9780195110623
  • 0195110625
  • 1423759567
  • 9781423759560
  • 9786610453351
  • 6610453357
Subject(s): Genre/Form: Additional physical formats: Print version:: Black hunger.DDC classification:
  • 305.896/073 21
LOC classification:
  • E185.86 .W58 1999eb
Online resources:
Contents:
Prologue; One: "Look Ma, the Real Aunt Jemima!": Consuming Identities under Capitalism; Two: Biscuits Are Being Beaten: Craig Claiborne and the Epistemology of the Kitchen Dominatrix; Three: "Eating Chitterlings Is Like Going Slumming": Soul Food and Its Discontents; Four: "Pork or Women": Purity and Danger in the Nation of Islam; Five: Of Watermelon and Men: Dick Gregory's Cloacal Continuum; Six: "My Kitchen Was the World": Vertamae Smart Grosvenor's Geechee Diaspora; Seven: "How Mama Started to Get Large": Eating Disorders, Fetal Rights, and Black Female Appetite; Epilogue.
Summary: The creation of the Aunt Jemima trademark from an 1889 performance of a play called "The Emigrant" helped codify a pervasive connection between African-American women and food. This work demonstrates how this connection has operated as a central structuring dynamic in 20th-century America.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 253-281) and index.

Print version record.

Prologue; One: "Look Ma, the Real Aunt Jemima!": Consuming Identities under Capitalism; Two: Biscuits Are Being Beaten: Craig Claiborne and the Epistemology of the Kitchen Dominatrix; Three: "Eating Chitterlings Is Like Going Slumming": Soul Food and Its Discontents; Four: "Pork or Women": Purity and Danger in the Nation of Islam; Five: Of Watermelon and Men: Dick Gregory's Cloacal Continuum; Six: "My Kitchen Was the World": Vertamae Smart Grosvenor's Geechee Diaspora; Seven: "How Mama Started to Get Large": Eating Disorders, Fetal Rights, and Black Female Appetite; Epilogue.

The creation of the Aunt Jemima trademark from an 1889 performance of a play called "The Emigrant" helped codify a pervasive connection between African-American women and food. This work demonstrates how this connection has operated as a central structuring dynamic in 20th-century America.

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